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Angry Metal Guy<p><a href="https://www.angrymetalguy.com/caustic-wound-grinding-mechanism-of-torment-review/" rel="nofollow noopener" target="_blank">Caustic Wound – Grinding Mechanism of Torment Review</a></p><p><i>By Saunders</i></p><p>Back in the strange old days of 2020, Seattle’s <strong>Caustic Wound</strong> detonated a skin-blasting deathgrind debut, entitled <em>Death Posture</em>. It landed on my end-of-year list and has remained a staple since. Comprised of like-minded scene veterans, including members of <strong>Mortiferum </strong>and <strong>Magrudergrind, Caustic Wound </strong>skillfully weld brutal, old-school death and grindcore influences into a raw, gnarly, riff rumbling beast. <em>Death Posture</em>’s dirty, unrefined production and reeky, terrorizing attack lent it a dangerous, unhinged edge, complimented by its infectious riffcraft and ugly underground values. Fast forward to the present and<strong> Caustic Wound</strong> reappear hellbent to fuck things up in their wickedly violent, deranged way. The efficient, action-packed platter of splattery goodness gets the job done in under half an hour, rifling through sixteen sharp, savvy and utterly punishing deathgrind bursts. With all the pieces in place, can<strong> Caustic Wound</strong> back up their impressively savage debut and capitalize on their prior groundwork with a sophomore album to savor?</p><p><em>Grinding Mechanism of Torment</em> picks up where its predecessor left off, albeit offering a freshly inspired take on the bare-bones aesthetics and raw buzz of the debut. First and foremost, this shit maintains the band’s brutally raging, guttural thrust and blast riddled form of deathgrind mayhem, featuring the thrashy, artery slashing hooks and gore spattered flair to do <strong>Exhumed</strong> and<strong> Impaled</strong> proud, <strong>Caustic Wound</strong> have sharpened their weapons of butchery and refined their sound, without compromising the blasty, grind-fueled punch and exhilarating blast of the debut. This is partly attributed to a cleaner, more refined, though still appropriately thick, beefy production job that stays true to their brutal underground roots. The tidier sonic aspects fail to diminish the savage old school charms and full throttle grind attacks that litter the album (“Advanced Killing Methods,” “Human Shield,” “Endless Grave,” “Dead Dog”).</p><p>Without discarding those classic death and grind influences of yesteryear, the influences reach a little broader, encompassing the occasional d-beaten Swedeath smackdown, hardcore stomp, and nods to the early days of legends such as <strong>Napalm Death</strong>, <strong>Cannibal Corpse</strong> and <strong>Terrorizer</strong>. Equipped with a bevy of killer riffs, the songs penetrate the memory bank. The buzzsawing, uppercutting riffs are uniformly strong, regardless of speed, but especially when <strong>Caustic Wound</strong> occasionally lay off the relentless pace and unleash the <strong>Leng Tch’e-</strong>esque groove and grind sections (check the sludgy, groovy crush of “Drone Terror” or insanely hooky riffs of “Blood Battery” as primo examples). Elsewhere, wild solos punctuate the chaos (“Infinite Chaos,” “Blackout”) and Clyde Lindstrom’s (<strong>Corpus Offal</strong>, <strong>Fetid</strong>) meaty, phlegmy vocal eruptions enlivens and adds a feral, guttural punch to proceedings, lending character and deceptive variety, not content to fall into being an unremarkable rhythmic afterthought. Not content to play it safe, closer “Into Cold Deaf Universe” dabbles in slow building, sludgy discordance, and samples before eventually mutating into a deadly deathgrind epic, unloading across nearly seven minutes of blasting and caterwauling noise, capping the album in momentously chaotic, violent fashion.</p><p></p><p>Despite the cleaner sonic palette, <em>Grinding Mechanism of Torment</em> packs a hefty wallop in the heaviness and brutality stakes, and is anything but a run-of-the-mill example of old school deathgrind. Chase Slaker and Max Bowman wield their axes with feral abandon amid lightning bursts of speed, vice-tight interlocking riffs, and divebombing solos. The riffs are a constant highlight and the deeper emphasis on thick, headbanging grooves unlocks some seriously chunky, infectious moments, such as the vicious outro of the grindy “Sniper Nest,” and swaggering grooves of “Horrible Earth Death.” Amidst the speedy focal point and blast riddled displays, the rhythm section of bassist Tony Wolfe and drummer Casey Moore do a bang-up job of driving this deathgrind killing machine and locking down the mean, violent grooves punctuating the album.</p><p><em>Death Posture</em> established <strong>Caustic Wound</strong> as a deathgrind powerhouse to be reckoned with, embracing classic death and grind values, executed with fresh and frenzied flair. Some of those endearing, caveman charms of the debut cannot be recreated in the more refined format. As such <em>Grinding Mechanism of Torment </em>may lose some of the wild, unhinged edges of the debut. However, the album compensates through its addictive riffcraft and diverse, though still plenty brutal display of deathgrind lunacy, expanding their songwriting scope and marking a grisly, bone-crunching, and righteously infectious return.</p><p></p> <p><strong>Rating</strong>: 4.0/5.0<br><strong>DR</strong>: 7 |<strong> Format Reviewed</strong>: 320 kbps mp3<br><strong>Label</strong>: <a href="https://profoundlorerecords.com/" rel="nofollow noopener" target="_blank">Profound Lore</a><br><strong>Website</strong>: <a href="https://profoundlorerecords.bandcamp.com/album/grinding-mechanism-of-torment" rel="nofollow noopener" target="_blank">Bandcamp</a><br><strong>Releases Worldwide</strong>: April 25th, 2025</p><p></p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/40/" target="_blank">#40</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/caustic-wound/" target="_blank">#CausticWound</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/corpus-offal/" target="_blank">#CorpusOffal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/death-metal/" target="_blank">#DeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/deathgrind/" target="_blank">#Deathgrind</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/exhumed/" target="_blank">#Exhumed</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/fetid/" target="_blank">#Fetid</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/grindcore/" target="_blank">#Grindcore</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/grinding-mechanism-of-torment/" target="_blank">#GrindingMechanismOfTorment</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/impaled/" target="_blank">#Impaled</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/leng-tche/" target="_blank">#LengTchE</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/magrudergrind/" target="_blank">#Magrudergrind</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mortiferum/" target="_blank">#Mortiferum</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/napalm-death/" target="_blank">#NapalmDeath</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/profound-lore/" target="_blank">#ProfoundLore</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/terrorizer/" target="_blank">#Terrorizer</a></p>
Angry Metal Guy<p><a href="https://www.angrymetalguy.com/earthburner-permanent-dawn-review/" rel="nofollow noopener" target="_blank">Earthburner – Permanent Dawn Review</a></p><p><i>By Dolphin Whisperer</i></p><p>There’s a sect of grind-lovers out there that say <strong>Terrorizer</strong>’s <em>World Downfall</em> represents the ideal to which grindcore should aspire, with many simply asking “<em>Why hit anything else?</em>” At its base, grindcore is a fusion genre of metal ideas against the speed and fury of fully torqued punk. And when bands like <strong>Terrorizer</strong>, <strong>Napalm Death</strong>, and <strong>Repulsion</strong> were making a name for the scene, the emergent flavor that spilled into their sprint-speed d-beats, hammering skanks, and flurried fight riffs was that of a nascent death metal. And on this foundation, <strong>Broken Hope</strong> veteran Jeremy Wagner seeks to unleash <em>Permanent Dawn</em> with his long-cooking <strong>Earthburner</strong> project in this time-tested vein of pit-churning burst of grinding rage.</p><p>Though <strong>Earthburner</strong>’s origins lie in the year 2001, Wagner never did much with the name save for some EPs and singles until 2023 when he recruited friends to finally make a true first strike. With family in the rhythm section—bass helmed by stepson Tyler Affinito and kit crashed by <strong>Broken Hope</strong> drummer Mike Miczek—and the trendy growl of Devin Swank (<strong>Sanguisugabogg</strong>) on the mic,<a href="https://www.angrymetalguy.com/earthburner-permanent-dawn-review/#fn-205518-1" rel="nofollow noopener" target="_blank">1</a> an air of familiarity ties <em>Permanent Dawn</em>’s concise expression together. Wagner’s primary outfit <strong>Broken Hope</strong> has never been the grandest attraction on a <a href="https://www.angrymetalguy.com/the-maryland-deathfest-chronicles/" rel="nofollow noopener" target="_blank">festival billing</a>, but the draw of their chunky, no-frills death metal stewed in the barbarism of the early 90s scene stands simple and odorous. So too in <strong>Earthburner</strong> does Wagner find the uncomplicated elegance of accelerating, punky riffs, and full-force kit abuse with tracks like “Broken Head” and “Perception for Profit” carrying the rebellious torch of classics like <em>World Downfall </em>(<strong>Terrorizer</strong>) or <em>From Enslavement to Obliteration</em> (<strong>Napalm Death</strong>) all too well.</p><p></p><p>At its core, <em>Permanent Dawn</em> expresses itself near line-for-line the classic grind playbook. Continuing a wordly exploration of progenitor inspiration, some of this debut’s more punishing run-offs come at the lower-tuned rumble of early <strong>Carcass</strong> gore-tifications (“Facelift,” “Hunger Pains,” “Slave to the Screen”). Finding a sneering, higher-range bleat to counter Swank’s low and gruff death bark, <strong>Earthburner</strong> plows through twenty minutes with little waste. In this construction, it’s neither the solo nor melodic lead that guides each tumble through its uphill scuttle, but rather quick intros and interludes of hefty four-string chatter (“Like Dogs,” “Positive Outlooks”) or loudness-driven guitar tricks (“Broken Head”) that break up the constant forward march to reset rattling heads. Some frustrating tropes of the scene remain too hard to shake, though. Whether a nod to the olde or otherwise, drummer-driven intro counts can be incessant—Miczek does switch up his snare pounds for hi-hat taps every now and then, at least.</p><p></p><p>In a divergence from the course of its influencers, <em>Permanent Dawn</em> finds its tones hitting modern in uncomfortable ways. Not all the sounds that composed the clamor of the fledgling grindfathers represented the pinnacle of amplified hunger, but many of them shared a shattered, organic nature that provided an urgent snap to the questionable distortion of guitars and unintelligible rapid-spew gurgles. And while I think Swank’s oral abuse and Wagner’s churning stacks—as compressed into clipping segments as they may be—do a fine job at capturing the rough exterior of the genre’s scrappy roots, the polish of kick and sheer <em>pow</em> of snare feel meant for an act more lumbering. Now, Miczek’s kit never feels behind or slogging, but in its excessive volume and booming presence, it robs part of the stage from the already ceiling-scraping guitar lines that find ugly fuzz in open rings and ear-zapping zips on sliding scrapes.</p><p>As an album so indebted to the past, <em>Permanent Dawn</em> finds an easy home in the ears of anyone seasoned in the arts of these punkified metal outbursts. However, in ease of expression through the lens of its influences, <strong>Earthburner</strong> forgets the all too important sentiment of expressing a vision all their own. Without a message to tie together its eleven tracks of societally challenged titles, its short runtime can feel frequently unnecessary in order and, consequently, in totality. Though not explicitly a cover band, the level of homage that <strong>Earthburner</strong> holds in its capable hands falls flat in reverence to its tones that don’t provide a unified bolster. I don’t consider myself <em>that guy</em>—you know, the <em>World Downfall</em> guy—but by the end of <em>Permanent Dawn</em>’s transient passage through my grind-hoping ears, I really do find myself wondering whether I should just stick to <strong>Terrorizer</strong>.</p> <p><strong>Rating</strong>: 2.0/5.0<em><br></em><strong>DR</strong>: 6 | <strong>Format Reviewed</strong>: 320 kbps mp3<br><strong>Label</strong>: <a href="https://www.m-theoryaudio.com/" rel="nofollow noopener" target="_blank">M-Theory Audio</a> | <a href="https://m-theoryaudio.bandcamp.com/" rel="nofollow noopener" target="_blank">Bandcamp</a><br><strong>Websites</strong>: <a href="https://officialearthburner.bandcamp.com/" rel="nofollow noopener" target="_blank">officialearthburner.bandcamp.com</a> | <a href="https://www.facebook.com/EarthburnerGrind/" rel="nofollow noopener" target="_blank">facebook.com/earthburnergrind</a><br><strong>Releases Worldwide</strong>: November 8th, 2024</p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/20/" target="_blank">#20</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/broken-hope/" target="_blank">#BrokenHope</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/deathgrind/" target="_blank">#Deathgrind</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/earthburner/" target="_blank">#Earthburner</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/grind/" target="_blank">#Grind</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/grindcore/" target="_blank">#Grindcore</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/napalm-death-carcass/" target="_blank">#NapalmDeathCarcass</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/nov24/" target="_blank">#Nov24</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/permanent-dawn/" target="_blank">#PermanentDawn</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/repulsion/" target="_blank">#Repulsion</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sanguisugabogg/" target="_blank">#Sanguisugabogg</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/terrorizer/" target="_blank">#Terrorizer</a></p>
Angry Metal Guy<p><strong><a href="https://www.angrymetalguy.com/ripped-to-shreds-sanshi-review/" rel="nofollow noopener" target="_blank">Ripped to Shreds – Sanshi Review</a></strong></p><p><i>By Saunders</i></p><p>Four albums deep into a promising and increasingly impressive career, California’s death mongers <strong>Ripped to Shreds</strong> continue to hammer away and chisel a jagged path to the hearts of old-school death-loving folk. Following back-to-back bangers, the band’s prolific mastermind and guitarist/vocalist Andrew Lee (also of <strong>Azath</strong>, <strong>Houkago Grind Time, Draghkar </strong>amongst a plethora of other projects) readies his battle-hardened companions for another sick, ugly dose of grind-injected old school death mayhem. Quality writing and a deft hand at intertwining classic influences with an unvarnished modern twist, has trademarked an engaging, consistent body of work. Lee lives and breathes the musty airwaves of death metal’s storied, murky past, but composes and plays this shit better than most. Can the fourth album <em>Sanshi</em> capitalize and expand upon the sturdy groundwork and scene cred the <strong>Ripped to Shreds</strong> brand has so far established?</p><p>Despite the occasional proggy foray, this latest platter of crusty nastiness, breakneck speed, and gnarled hooks finds <strong>Ripped to Shreds</strong> refining a formula that seeks the advancement of their signature style, without muddying the waters with bold attempts at innovation. Few modern acts nail the retro aesthetic and rancid, fleshy appeal as well as <strong>Ripped to Shreds</strong> without leaning too heavily into derivation or tired recycling of old ideas. <strong>Ripped to Shreds</strong> sounds invigorated and full of punky, gritty aggression and songwriting flair. The roots of the <strong>Ripped to Shreds</strong> sound feature the classic vibes of the buzzsawing Stockholm and swampy Floridan scenes of yesteryear. Throw in a healthy dose of early <strong>Pestilence</strong> and vintage grindcore influences, think prime <strong>Terrorizer</strong>, and some flashy melodic shreddery, and you have a recipe for awesomeness.</p><p>Overall, the grind influence is more pronounced, unloading some of the band’s nastiest work to date, balanced by the increasingly noteworthy use of extravagant melodic solos and leads. The tradeoff vocals from Lee and the backing efforts of his bandmates work a treat, blending nasty guttural grunts and higher-pitched explosions with anguished van Drunen-isms and all manner of rip-roaring variations. <em>Sanshi</em> opens ambitiously, launching a six-plus minute juggernaut courtesy of the multi-pronged “Into the Court of Yanluowang.” Length isn’t an issue due to the propulsive energy, structural shifts, and an action-packed blend of death, grind, and thrashy melodeath influences, touching on some <strong>Horrendous</strong> vibes. The punky grind meets the thrashing death punch of “燒冥紙 (Sacrificial Fire)” jams swaggering grooves and melodic guitar embellishments into a violent tornado. <strong>Ripped to Shreds</strong> balances its crisper melodic tendencies and production values expertly with its feral, abrasive instincts. Balance is the key to much of<em> Sanshi’</em>s success. The album’s varied songwriting palette is showcased through blunt force grooves colliding with riff-driven thrashy death (“冥婚 Corpse Betrothal”), compact, blazing deathgrind numbers (“Force Fed,” “Perverting the Funeral Rites, Stripping for the Dead”), and brutish beatdowns punctuated with heroic shredding solos (“殭屍復活 [Horrendous Corpse Resurrection],” “Cultivating Towards Ascension”).</p><p></p><p>Lee’s skills as a composing architect, accomplished axe-slinger and chief vocalist are well established, however, there is an argument Lee is really coming into his own with a fully-fledged line-up of like-minded souls. The whole band fires on all cylinders, the material fueled by ripping tempos, technical precision, and gritty, yet undoubtedly infectious songwriting. Brian Do’s sick, blasty drum performance is worth noting, while the addition of second guitarist Michael Chavez proves a masterstroke, adding firepower, showmanship, and a potent dual axe dynamic to the formula, emphasized through the string of stunning solos and memorable riffs, touching on thrash, death, melodeath, and grind influences. I could use a little more fuzz and grime to the guitar tone, and the bass drums are a little clicky, otherwise, the production adds sharp edges and crisp punchy tones to compliment the album’s rawer charms.</p><p><b>Ripped to Shreds </b>remain as consistently solid as ever with this latest opus. <em>Sanshi</em> takes the ingredients that have worked so effectively for <strong>Ripped to Shreds</strong> thus far and ups the ante to reveal some of their most potent, impressive work to date. Lee’s songwriting skills are reaching increasingly esteemed heights and the expertise in which the band wield speed, melody, abrasiveness, chugging grooves, and catchy writing is top-shelf. Every <strong>Ripped to Shreds</strong> album has delivered quality, teetering on the precipice of greatness. <em>Sanshi</em> keeps the consistent trend going, though takes it up a notch and showcases the <strong>Ripped to Shreds</strong> juggernaut operating in peak form.</p><p></p> <p><strong>Rating:</strong> 4.0/5.0<br><strong>DR:</strong> N/A | <strong>Format Reviewed:</strong> Stinky Stream<br><strong>Label:</strong> <a href="https://store.relapse.com/" rel="nofollow noopener" target="_blank">Relapse Records</a><br><strong>Websites:</strong> <a href="https://rippedtoshredsdeathmetal.bandcamp.com/" rel="nofollow noopener" target="_blank">rippedtoshredsdeathmetal.bandcamp.com</a> | <a href="https://www.facebook.com/rippedtoshredsband/" rel="nofollow noopener" target="_blank">facebook.com/rippedtoshredsband</a><br><strong>Releases Worldwide:</strong> September 27th, 2024</p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/40/" target="_blank">#40</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/azath/" target="_blank">#Azath</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/death-metal/" target="_blank">#DeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/deathgrind/" target="_blank">#Deathgrind</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/draghkar/" target="_blank">#Draghkar</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/grindcore/" target="_blank">#Grindcore</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/horrendous/" target="_blank">#Horrendous</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/houkago-grind-time/" target="_blank">#HoukagoGrindTime</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/old-school-death-metal/" target="_blank">#OldSchoolDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/pestilence/" target="_blank">#Pestilence</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/relapse-records/" target="_blank">#RelapseRecords</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/ripped-to-shreds/" target="_blank">#RippedToShreds</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sanshi/" target="_blank">#Sanshi</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/terrorizer/" target="_blank">#Terrorizer</a></p>
Dom_Sathanas<p>Great find at my local library and fascinating read about the network of bands that were related to Napalm Death in the UK, US and Sweden through tape trading, band personnel and shared influences. What stands out to me is how young they all were. Grotty little teenagers recording landmark albums that still created new genres. I love it <a href="https://ravenation.club/tags/books" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>books</span></a> <a href="https://ravenation.club/tags/metal" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>metal</span></a> <a href="https://ravenation.club/tags/grindcore" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>grindcore</span></a> <a href="https://ravenation.club/tags/deathmetal" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deathmetal</span></a> <a href="https://ravenation.club/tags/NapalmDeath" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>NapalmDeath</span></a> <a href="https://ravenation.club/tags/Carcass" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Carcass</span></a> <a href="https://ravenation.club/tags/MorbidAngel" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MorbidAngel</span></a> <a href="https://ravenation.club/tags/Repulsion" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Repulsion</span></a> <a href="https://ravenation.club/tags/Terrorizer" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Terrorizer</span></a> <a href="https://ravenation.club/tags/Entombed" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Entombed</span></a> <a href="https://ravenation.club/tags/Carnage" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Carnage</span></a> <a href="https://ravenation.club/tags/Dismember" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Dismember</span></a> <a href="https://ravenation.club/tags/ExtremeNoiseTerror" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ExtremeNoiseTerror</span></a> <a href="https://ravenation.club/tags/boltthrower" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>boltthrower</span></a></p>