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Harald Klinke<p>New CFP: What Do (Digital) Images Want? Join us in exploring a decade of data, power & visual knowledge! <br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualCulture</span></a> <a href="https://det.social/tags/CFP" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CFP</span></a> <a href="https://det.social/tags/DH" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DH</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a><br><a href="https://dahj.org/cfp/11" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">dahj.org/cfp/11</span><span class="invisible"></span></a></p>
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#digitalarthistory
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Harald Klinke<p>We celebrate 10 years of International Journal for Digital Art History (DAHJ)—connecting global voices & reshaping art history through digital methods, collaboration & critical debate.
<a class="hashtag" href="https://bsky.app/search?q=%23DigitalArtHistory" rel="nofollow noopener" target="_blank">#DigitalArtHistory</a> <a class="hashtag" href="https://bsky.app/search?q=%23DigitalHumanities" rel="nofollow noopener" target="_blank">#DigitalHumanities</a> <a class="hashtag" href="https://bsky.app/search?q=%23ArtHistory" rel="nofollow noopener" target="_blank">#ArtHistory</a></p>
Harald Klinke<p>We celebrate 10 years of International Journal for Digital Art History (DAHJ)—connecting global voices & reshaping art history through digital methods, collaboration & critical debate. </p><p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VisualCulture</span></a> <a href="https://det.social/tags/CFP" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CFP</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a></p>
Harald Klinke<p>New article explores the work of Nestoras Papanikolopoulos, a pioneer of digital art in Greece since 1984. A vital step in recognizing early computer-based art and its marginalization in official discourse.<br><a href="https://dahj.org/article/nestoras-papanikolopoulos" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">dahj.org/article/nestoras-papa</span><span class="invisible">nikolopoulos</span></a><br><a href="https://det.social/tags/DigitalArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArt</span></a> <a href="https://det.social/tags/MediaArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MediaArt</span></a> <a href="https://det.social/tags/ComputerArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ComputerArt</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/GreekArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GreekArt</span></a> <a href="https://det.social/tags/DigitalHeritage" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHeritage</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/ComputerVision" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ComputerVision</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a></p>
Nullmuseum<p>Bald ist mein Buch fertig...</p><p>Kapitel 1 zur Transformation von Museen und zur parallelen Digitalisierung der Museen. Fallstudie SMB-digital 1990-2011</p><p>Kap. 2 zu Museen und Plattformkapitalismus</p><p>Kap. 3 zu semantischen Netzwerken (z.B. Auseinandersetzung mit Netzwerkvisualisierungen, 🢂Screenshot)</p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/glam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>glam</span></a> <a href="https://hcommons.social/tags/dataviz" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>dataviz</span></a> <a href="https://hcommons.social/tags/netzwerkvisualisierung" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>netzwerkvisualisierung</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>kunstgeschichte</span></a></p>
Harald Klinke<p>Also by her: <br>“Writing and Reading Digital Art History” by Ana Knežević examines the evolution of art history in the digital age, highlighting changes in media while arguing that core methodologies remain unchanged. It explores authorship, collective writing, and distant reading in digital projects. </p><p><a href="https://www.academia.edu/38335846/Writing_and_Reading_Digital_Art_History" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">academia.edu/38335846/Writing_</span><span class="invisible">and_Reading_Digital_Art_History</span></a></p><p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/Cyberculture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cyberculture</span></a> <a href="https://det.social/tags/MediaStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MediaStudies</span></a></p>
Harald Klinke<p>📄 Just found: <br>"Art History Methodology in the Age of Cyberculture" explores the evolution of digital art history, distinguishing between digital and digitized methods. The study highlights how traditional methodologies adapt to new technological contexts without fundamentally changing. <br>By Ana Knežević<br><a href="https://www.academia.edu/37437403/Art_History_Methodology_in_The_Age_of_Cyberculture" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">academia.edu/37437403/Art_Hist</span><span class="invisible">ory_Methodology_in_The_Age_of_Cyberculture</span></a><br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/Cyberculture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Cyberculture</span></a> <a href="https://det.social/tags/ArtResearch" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtResearch</span></a></p>
Nullmuseum<p>In my talk ‘Museum criticism for hackers’ at <a href="https://hcommons.social/tags/38C3" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>38C3</span></a>, I looked at the history of the online collection of the State Museums Berlin, talked about major turning points in digital collections and about a software called GOS developed by the museums in the 20th century.</p><p>The talk is an invitation to participate in the critical development, opening and reflection of digital collections, for example by supporting open knowledge networks such as <a href="https://hcommons.social/tags/Wikidata" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Wikidata</span></a></p><p>The talk was in German, but you can listen to the live translation to English and Portuguese. Links to all the versions, on the CCC server and on Youtube:</p><p>German:<br><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://www.youtube.com/watch?v=0XAZLV1DVKM" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=0XAZLV1DVK</span><span class="invisible">M</span></a></p><p>English:<br>On the CCC server, same link as above, change language in the player (little settings wheel lower right)</p><p><a href="https://www.youtube.com/watch?v=PWYuXeRZ8do" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=PWYuXeRZ8d</span><span class="invisible">o</span></a></p><p>Portuguese:<br>On the CCC server, same link as above, switch with wheel lower right</p><p><a href="https://www.youtube.com/watch?v=2CmYAk26wlo" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=2CmYAk26wl</span><span class="invisible">o</span></a></p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalhumanities</span></a> <a href="https://hcommons.social/tags/museology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museology</span></a></p>
Nullmuseum<p>Museumskritik für Hacker*innen, Mitschnitt hier:</p><p><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://hcommons.social/tags/38c3" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>38c3</span></a> <a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/glam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>glam</span></a> <a href="https://hcommons.social/tags/lod" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lod</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalhumanities</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>kunstgeschichte</span></a></p>
Harald Klinke<p>“Annotating Upstream: Digital Scholars, Art History, and the Interoperable Image” by Matthew J. Westerby explores the practice of “annotating upstream” within IIIF (International Image Interoperability Framework) to enhance art historical discourse. This approach emphasizes creating and maintaining one’s own annotation systems to ensure data sustainability and contextual integrity.</p><p>Full text: <a href="https://doi.org/10.16995/olh.17217" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">doi.org/10.16995/olh.17217</span><span class="invisible"></span></a></p><p><a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/IIIF" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>IIIF</span></a> <a href="https://det.social/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>OpenAccess</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a></p>
Harald Klinke<p>Introducing IMGS.AI, a multimodal search engine revolutionizing Digital Art History! Built with cutting-edge ML models like CLIP, it addresses image retrieval challenges and proposes solutions for standardizing feature extraction.<br>By <span class="h-card" translate="no"><a href="https://sigmoid.social/@zentralwerkstatt" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>zentralwerkstatt</span></a></span> & <span class="h-card" translate="no"><a href="https://fedihum.org/@peterbell" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>peterbell</span></a></span><br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/MachineLearning" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MachineLearning</span></a> <a href="https://det.social/tags/ComputerVision" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ComputerVision</span></a> <a href="https://det.social/tags/CLIPModel" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CLIPModel</span></a> <a href="https://det.social/tags/HCI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>HCI</span></a> <a href="https://det.social/tags/BigImageData" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BigImageData</span></a> <a href="https://det.social/tags/FeatureExtraction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>FeatureExtraction</span></a> <br><a href="https://dahj.org/article/imgsai" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">dahj.org/article/imgsai</span><span class="invisible"></span></a></p>
Harald Klinke<p>I put together a starter pack for Digital Art History so that everyone can connect. <br>If you'd like to add to it, just let me know. <br><a href="https://det.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a> <a href="https://det.social/tags/bluesky" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>bluesky</span></a><br><a href="https://go.bsky.app/TqZCEqv" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">go.bsky.app/TqZCEqv</span><span class="invisible"></span></a></p>
Nullmuseum<p>Ein Rückblick auf ein <a href="https://hcommons.social/tags/Wikidata" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Wikidata</span></a> Seminar an der TU Berlin. </p><p>Hier die Kurzfassung, ausführliche Beschreibung mit Links und Literatur auf dem Blog: <a href="https://nullmuseum.hypotheses.org/1173" rel="nofollow noopener" target="_blank"><span class="invisible">https://</span><span class="">nullmuseum.hypotheses.org/1173</span><span class="invisible"></span></a></p><p>Dank dem Projekt "Sum of all paintings" gibt es dort die Kataloge der Staatlichen Museen als Kopie, mit der wir arbeiten können, die wir selbst ergänzen können. </p><p>Die Studierenden der Kunstgeschichte haben vorbereitend zu Kunst des 19. Jahrhunderts aus dem Berliner Museum <a href="https://hcommons.social/tags/AlteNationalgalerie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AlteNationalgalerie</span></a> recherchiert. Am 1. Tag des Blockseminars ging es darum, den Aufbau von Wikidata kennenzulernen und erste Daten-Abfragen zu schreiben (zum Beispiel alle Werke die Berliner Motive haben auszugeben). Am 2. Tag die vorab recherchierten Informationen im richtigen Format in Wikidata einzutragen. Und am 3. Tag die Ergebnisse mit Visualisierungs-Tools von Wikidata (Karten, Timeline, Netzwerkvisualisierung) zu vermitteln. </p><p><a href="https://hcommons.social/tags/museologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museologie</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>kunstgeschichte</span></a> <a href="https://hcommons.social/tags/wikidata" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>wikidata</span></a> <a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a></p>
Harald Klinke<p>Lev Manovich writes that with the advent of Generative AI, we can now create an infinite museum filled with AI-generated images that simulate artworks from every historical period, genre, and technique. Platforms like Midlibrary already offer thousands of examples, making possible a new kind of universal "museum without walls." <br><a href="https://det.social/tags/GenAI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>GenAI</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/AIArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AIArt</span></a> <a href="https://det.social/tags/DigitalCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalCulture</span></a> <a href="https://det.social/tags/Museums" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Museums</span></a></p><p>Source: <br><a href="https://manovich.net/content/04-projects/127-from-museum-without-walls-to-genai-museum/manovich.generative_museum.2024.pdf" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">manovich.net/content/04-projec</span><span class="invisible">ts/127-from-museum-without-walls-to-genai-museum/manovich.generative_museum.2024.pdf</span></a></p>
Harald Klinke<p>The Hammer Museum has made 2,975 artworks from its collection available online, now dedicated to the public domain via Creative Commons Zero 1.0. The collection includes notable pieces from the Armand Hammer Collection and Grunwald Center Collection, accessible through the museum's advanced search feature.<br><a href="https://det.social/tags/openglam" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openglam</span></a> <a href="https://det.social/tags/openaccess" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>openaccess</span></a> <a href="https://det.social/tags/musetec" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>musetec</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <br><a href="https://collections.hammer.ucla.edu/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">collections.hammer.ucla.edu/</span><span class="invisible"></span></a></p>
Harald Klinke<p>JOB: Professur für Digitale Kulturen und Digital Humanities (m/w/d) an der Universität für Weiterbildung Krems, Fakultät für Bildung, Kunst und Architektur, Department für Kunst- und Kulturwissenschaften. <br>Bewerbungsfrist: 02.09.2024. ⭐️<br><a href="https://arthist.net/archive/42438" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">arthist.net/archive/42438</span><span class="invisible"></span></a></p><p><a href="https://det.social/tags/Professur" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Professur</span></a> <a href="https://det.social/tags/DigitaleKulturen" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitaleKulturen</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/Krems" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Krems</span></a> <a href="https://det.social/tags/UniKrems" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>UniKrems</span></a> <a href="https://det.social/tags/Stellenangebot" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Stellenangebot</span></a> <a href="https://det.social/tags/DigitaleKunstgeschichte" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitaleKunstgeschichte</span></a> <a href="https://det.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>digitalarthistory</span></a></p>
Harald Klinke<p>📢 Join the 8th International Summer School on Digital Art History (DAHSS) in Málaga from Sept 2-7, 2024! 🌟 Explore "Sustainability and Politics of AI" through plenary sessions, coffee talks, and track sessions. Application open until July 10, 2024. Learn more: <a href="https://dahss.iarthislab.eu/2024/program/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">dahss.iarthislab.eu/2024/progr</span><span class="invisible">am/</span></a> <a href="https://det.social/tags/DAHSS2024" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DAHSS2024</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AI</span></a></p>
Harald Klinke<p>🌟 Don't miss the event of the year for <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a>! 🌍 </p><p>DAHSS: Sustainability and Politics of AI, Málaga, 2-7 Sep 2024. Join top scholars to explore AI's impact on art, sustainability, and politics. Apply by 10.07.2024!</p><p>More info: <a href="https://dahss.iarthislab.eu/2024/program/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">dahss.iarthislab.eu/2024/progr</span><span class="invisible">am/</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a></p>
Harald Klinke<p>CFP: "Methodologies and Applications of Image Understanding in Cultural and Artistic Heritage" in Journal of Imaging. <br>Submit manuscripts by Oct 31, 2024. Topics include deep learning, computer vision in art, and cultural heritage. <br><a href="https://www.mdpi.com/journal/jimaging/special_issues/HRWOVBODES" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">mdpi.com/journal/jimaging/spec</span><span class="invisible">ial_issues/HRWOVBODES</span></a><br><a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/CulturalHeritage" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CulturalHeritage</span></a> <a href="https://det.social/tags/ComputerVision" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ComputerVision</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a></p>
Thorsten Wübbena<p>Im DFG-Forschungsprojekt “Forgeries and Networks - The ‘Mittheilungen des Museen-Verbandes’ and<br>Forgery Networks in the 20th Century (ForNet)” (IEK, Uni Heidelberg / IEG, Mainz) ist eine Stelle als Postdoc (100%) zu besetzen.<br>Bewerbungsfrist: 30.06.2024</p><p>Ausschreibung: <a href="https://www.uni-heidelberg.de/md/zegk/iek/medien/institut/job_2024-06-30_fornet-postdoc.pdf" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">uni-heidelberg.de/md/zegk/iek/</span><span class="invisible">medien/institut/job_2024-06-30_fornet-postdoc.pdf</span></a></p><p><a href="https://fedihum.org/tags/arthistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>arthistory</span></a> <a href="https://fedihum.org/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalArtHistory</span></a></p>
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