Angry Metal Guy<p><a href="https://www.angrymetalguy.com/mutterlein-amidst-the-flames-may-our-organs-resound-review/" rel="nofollow noopener" target="_blank">Mütterlein – Amidst the Flames, May Our Organs Resound Review</a></p><p><i>By Dear Hollow</i></p><p>I’ve always unfairly ranked <strong>Rorcal</strong> above <strong>Overmars</strong>. What can I say? I got into <em>Heliogabalus</em> and <em>Born Again</em> around the same time, enamored by both single epic song interpretations of hardcore vigor, pained dissonance, and pitch-black sludge<span>. Still, <em>Heliogabalus</em></span> took the cake when it came to bottom-scraping hellish riffs, wailing, and gnashing of teeth. Themes differ, as <strong>Rorcal</strong>’s elegant storytelling added further majesty to their colossal attack, while <strong>Overmars</strong>’ scrappy commentary on injustice and religious trauma owed a more anti-establishment aura. <strong>Rorcal</strong> remains one of my favorite acts, while <strong>Overmars</strong> broke up in 2011. Out of sight, out of mind, but it wasn’t until now that <strong>Overmars</strong> has come back to haunt me in the form of <strong>Mütterlein</strong>.</p><p><strong>Mütterlein</strong> is a project of <strong>Overmars</strong> vocalist/bassist Marion Leclercq,<a href="https://www.angrymetalguy.com/mutterlein-amidst-the-flames-may-our-organs-resound-review/#fn-216558-1" rel="nofollow noopener" target="_blank">1</a> but the sound in comparison to <strong>Overmars</strong> is a spiritual successor only. The sludge is present in the density in much the same way <strong>Author & Punisher</strong> offers, in walls of electronic darkness, synthesized percussion, and trip-hop beats, while climactic moments of mammoth post-metal chugs crash through like a freight train. Always rooted in more ominous atmospheres recalling the resounding organ of its cover, third full-length <em>Amidst the Flames, May Our Organs Resound</em> offers an electronic trip to the shadows that feels grandiose and explosive where it ought to, but far too stripped down in others.</p><p></p><p><strong>Mütterlein</strong> revolves its movements around a synthesized beat, resembling either a darkwave pulse that feels a tad like <strong>Perturbator</strong> or a thunderously precise snare that feels like an electronic interpretation of <strong>Isis</strong>, and its movements flow around and atop it. It’s a simple but effective structure, as largely these percussion movements carry across an entire song, while Leclercq’s atmospheric songwriting allows more metallic movements to mesh in a slurry with the synth-driven elements that combine into a haunting overture that recalls some of horror’s more cinematic moments. From a synth-centric version of <strong>Amenra</strong> in its diminished post-metal rhythms, leads, and call-and-response riffage (“Wounded Grace”) to the pulsing wave of density interwoven with angelic choirs atop trip-hop beats (“Concrete Black,” “Ivory Claws”), and guest appearances of Church of Ra’s <strong>Treha Sektori</strong> in sprawling dark ambient interludes (“Memorial One,” “Memorial Two”), <strong>Mütterlein</strong> has a formula that is effectively simple and simply crushing when it needs to be, although its more minimalist pieces drag on for far too long (“Anarcha,” “Division of Pain”).</p><p><strong></strong></p><p><strong>Mütterlein</strong> places its claustrophobic sound design front and center, and like any good post-metal album, vocals are just another instrument in <em>Amidst the Flames, May Our Organs Resound</em>. It’s a bit of a shame, because Leclercq gives her most passionate and disconcerting vocal performance, relying on a drawling Audrey Sylvain (ex-<strong>Amesoeurs</strong>) post-punk groan (“Ivory Claws,” “Memorial Two”) and a rabid Kristin Michael Hayter (formerly <strong>Lingua Ignota</strong>) sermonic howl (“Memorial One,” “Division of Pain”). Too much of the music becomes monotonous and repetitive without enough of her vocals to keep up the vigor and energy, its pulse quickly dwindling to a flatline (“Division of Pain”), making the tracks that feature a switch-up at its midpoint highlights (“Wounded Grace,” “Ivory Claws”). The sound palette is nice when her vocals guide the horror, giving a climactic three-prong attack of vocals, electronic pulses, and overlaying leads, but when one of those crucial elements is removed, <strong>Mütterlein</strong> quickly loses its bite.</p><p>I miss <strong>Overmars</strong>, but <strong>Mütterlein</strong> offers a brand new sound that’s both densely crushing and darkly atmospheric, even if the sound is imperfect. Recalling the likes of <strong>Author & Punisher</strong> in swaths of punishing electronics, <strong>Amenra</strong> in its haunting melodic approach, and <strong>Lingua Ignota</strong> in the fury behind the mic, there’s a lot to like about <em>Amidst the Flames</em>. However, there’s a thin line between intrigue and monotony, and when the track goes too long or Leclercq removes her vocals, the result becomes painfully dull in its more stark passages. Feeling a tad long at a normally reasonable forty minutes, <strong>Mütterlein</strong> offers a mixed bag with triumphant highs and dull lows in <em>Amidst the Flames, May Our Organs Resound</em>.</p> <p><strong>Rating:</strong> 2.5/5.0<br><strong>DR:</strong> 6 | <strong>Format Reviewed:</strong> 320 kb/s mp3<br><strong>Label:</strong> <a href="https://www.debemur-morti.com/en/" rel="nofollow noopener" target="_blank">Debemur Morti Productions</a><br><strong>Websites:</strong> <a href="http://mutterlein.bandcamp.com" rel="nofollow noopener" target="_blank">mutterlein.bandcamp.com</a> | <a href="http://facebook.com/mutterlein" rel="nofollow noopener" target="_blank">facebook.com/mutterlein</a><br><strong>Releases Worldwide:</strong> May 9th, 2025</p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2-5/" target="_blank">#25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/ambient-metal/" target="_blank">#AmbientMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/amenra/" target="_blank">#Amenra</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/amesoeurs/" target="_blank">#Amesoeurs</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/amidst-the-flames/" target="_blank">#AmidstTheFlames</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/author-punisher/" target="_blank">#AuthorPunisher</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/debemur-morti-productions/" target="_blank">#DebemurMortiProductions</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/electronic/" target="_blank">#Electronic</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/electronica-metal/" target="_blank">#ElectronicaMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/french-metal/" target="_blank">#FrenchMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/industrial-metal/" target="_blank">#IndustrialMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/isis/" target="_blank">#Isis</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/lingua-ignota/" target="_blank">#LinguaIgnota</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/may-our-organs-resound/" target="_blank">#MayOurOrgansResound</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/may25/" target="_blank">#May25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mutterlein/" target="_blank">#Mütterlein</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/overmars/" target="_blank">#Overmars</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/perturbator/" target="_blank">#Perturbator</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/post-metal/" target="_blank">#PostMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reverend-kristin-michael-hayter/" target="_blank">#ReverendKristinMichaelHayter</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/rorcal/" target="_blank">#Rorcal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/treha-sektori/" target="_blank">#TrehaSektori</a></p>