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#bdcam25

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Roxana Maurer (Popistașu)<p><span class="h-card" translate="no"><a href="https://digipres.club/@dpc_chat" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>dpc_chat</span></a></span> Technology Watch Guidance Note "Defining the Designated Community" (2023) <a href="http://doi.org/10.7207/twgn23-01" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">http://</span><span class="">doi.org/10.7207/twgn23-01</span><span class="invisible"></span></a> mentioned by <span class="h-card" translate="no"><a href="https://mastodon.social/@criticalsenses" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>criticalsenses</span></a></span> in her <a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> presentation "Digital Deposit Decision-Making: The Future Audiences Decision Model" especially in the context of the question "Do the donors and depositors of the digital content have expectations about who the content is being preserved for?" <a href="https://digipres.club/tags/DigitalPreservation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalPreservation</span></a></p>
Roxana Maurer (Popistașu)<p><a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> Another great presentation from <span class="h-card" translate="no"><a href="https://mastodon.social/@criticalsenses" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>criticalsenses</span></a></span> ,this time about her "Future Audiences Decision Model", intended to help guide organisations in decision making, when selecting and preparing digital content for deposit into a memory institution</p>
Roxana Maurer (Popistașu)<p><a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> "Exploring <a href="https://digipres.club/tags/VideoGames" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>VideoGames</span></a> CD-ROMs"<br>Curatorial challenges: concept &amp; narrative flow, target audience, games accessibility (game play, interfaces, latency, authors’ rights, etc.), nostalgic value, balance between triple-A best-sellers &amp; less obvious choices<br>How to present games: emulation vs. old gaming console, gameplay relevance &amp; contemporary significance<br>"Piracy proof (sort of... LOL)" 🤣<br>(with a nod to <span class="h-card" translate="no"><a href="https://digipres.club/@misty" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>misty</span></a></span>'s work) <a href="https://digipres.club/tags/DigitalPreservation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalPreservation</span></a></p>
Andy Jackson<p>Last batch of stickers on the <span class="h-card" translate="no"><a href="https://digipres.club/@dpc_chat" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>dpc_chat</span></a></span> desk at <a href="https://digipres.club/tags/bdcam25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>bdcam25</span></a></p>
Roxana Maurer (Popistașu)<p><a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> "A history of the CD-ROM", a research project at the intersection of media history, digital studies, the history of digital technology and media archaeology done by Luxembourg Centre for Contemporary and Digital History (C2DH) <a href="https://digipres.club/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://www.uni.lu/c2dh-en/research-projects/cd-hist/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">uni.lu/c2dh-en/research-projec</span><span class="invisible">ts/cd-hist/</span></a></p>
Roxana Maurer (Popistașu)<p><a href="https://digipres.club/tags/DOWARC" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DOWARC</span></a> is a domain ontology for the Semantic modelling of <a href="https://digipres.club/tags/WebArchiving" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WebArchiving</span></a> artefacts, such as WARC and CDX files, and web archiving activities. It was created as a metadata tool to support more sustainable and accessible archiving and <a href="https://digipres.club/tags/DigitalPreservation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalPreservation</span></a> practices, particularly with regard to issues engendered by intensive versioning activities, such as lack of context and rise in storage demands. <a href="https://github.com/DOWARC/dowarc" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">github.com/DOWARC/dowarc</span><span class="invisible"></span></a> <a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a></p>
Roxana Maurer (Popistașu)<p><a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> Huellas Incómodas (Uncomfortable Footprints) is a <a href="https://digipres.club/tags/DigitalPreservation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigitalPreservation</span></a> initiative that works to document, contextualise and generate a public legacy of collective memory and the right to truth, based on <a href="https://digipres.club/tags/feminist" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>feminist</span></a> social struggles in <a href="https://digipres.club/tags/LatinAmerica" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>LatinAmerica</span></a>. The project arises from the ephemeral nature of expressions of protest in the physical and digital public space, which is what we call Footprints, and intervenes against the urge to erase them. <a href="https://idrhku.org/huellasincomodas/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">idrhku.org/huellasincomodas/</span><span class="invisible"></span></a></p>
Roxana Maurer (Popistașu)<p><a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> How to address these silences &amp; biases?<br>1. Social media archiving<br>2. Raising awareness about the importance of websites and providing support for activists to create one<br>3. Prioritizing countries and topics that are underrepresented<br>4. Support <a href="https://digipres.club/tags/WebArchiving" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WebArchiving</span></a> initiatives in Latin America<br>"A major act of determining historical meaning -perhaps the major act-occurs not when the historian opens the [archival] box, but when the archivist fills the box" (Cook, 2011)</p>
Roxana Maurer (Popistașu)<p><a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> Any ARCH dataset published on archive.org as a publicly accessible item, in order to share and cite it, will receive a unique <a href="https://digipres.club/tags/ARK" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ARK</span></a> (Archival Resource Key) <a href="https://digipres.club/tags/PersistentIdentifier" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PersistentIdentifier</span></a> and URL <a href="https://webservices.archive.org/pages/arch/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">webservices.archive.org/pages/</span><span class="invisible">arch/</span></a> <span class="h-card" translate="no"><a href="https://fosstodon.org/@arks_org" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>arks_org</span></a></span></p>
Roxana Maurer (Popistașu)<p><a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> Many technical, conceptual &amp; practical issues when doing research on / with large born-digital archives (especially <a href="https://digipres.club/tags/WebArchives" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>WebArchives</span></a>)<br>• Data format<br>• Data volume<br>• Data processing<br>• Data "visibility"<br>• Data derivation<br>• Provenance<br>• Acquisition<br>• Border/boundary<br>• Breadth<br>• Ellipses (elisions)</p>
Adrian Demleitner<p>On my way to <a href="https://post.lurk.org/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> in London and I’m just in awe that I can take this trip by train. The sun is shining, enough time between connections, a new book to break in. It’s truly miraculous.</p>
Andy Jackson<p>Getting excited for <a href="https://digipres.club/tags/BDCAM25" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>BDCAM25</span></a> now the (draft) programme is out... <a href="https://easychair.org/smart-program/BDCAM25/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">easychair.org/smart-program/BD</span><span class="invisible">CAM25/</span></a> <a href="https://digipres.club/tags/DigiPres" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DigiPres</span></a></p>