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Angry Metal Guy<a href="https://www.angrymetalguy.com/stuck-in-the-filter-january-2025s-angry-misses/" rel="nofollow noopener" target="_blank">Stuck in the Filter: January 2025’s Angry Misses</a>By KenstrosityWe enter January under the impression that our underpowered filtration system couldn’t possibly get any more clogged up. Those blistering winds that overwhelm the vents with an even greater portion of debris and detritus pose a great challenge and a grave danger to my minions. Crawling through the refuse as more flies in all william-nilliam, my faithful lackeys brave the perils of the job and return, as they always do, with solid chunks of semi-precious ore.And so I stand before you, my greedy little gremlins, in a freshly pressed flesh suit that only the elite like myself adorn, and present January 2025’s Filter finds. REJOICE! Kenstrosity’s Fresh(ish) Finds <a href="https://www.facebook.com/profile.php?id=61558258028637" rel="nofollow noopener" target="_blank">Bloodcrusher</a> // Voidseeker [January 9th, 2025 – <a href="https://barfbagrecords.bandcamp.com/" rel="nofollow noopener" target="_blank">Barf Bag Records</a>]The sun rises on a new year, and most are angrier than ever. What’s a better way to process that anger than jamming a phat slab of brutal slamming deathcore into your gob, right? Oregon one-man-slammajamma Bloodcrusher understand this, and so sophomore outburst Voidseeker provides the goods. These are tunes meant not for musicality or delicacy but for brute-force face-caving. Ignorant stomps and trunk-rattling slams trade blows with serrated tremolo slides and a dry pong snare with a level of ferocity uncommon even in this unforgiving field (“Agonal Cherubim ft. Jack Christensen”). Feel the blistering heat of choice cuts “Serpents Circle ft. Azerate Nakamura” or “Death Battalion: Blood Company ft. The Gore Corps” and you have no choice but to submit to their immense heft. Prime lifting material, Voidseeker’s most straightforward cuts guarantee shattered PRs and spontaneous combustion of your favorite gym shorts as your musculature explodes in volume (“Slave Cult,” “Sanguis Aeternus,” “Blood Frenzy”). If you ask me, that sounds like a wonderful problem to have. As they pummel your cranium into dust with deadly slam riffs (“Malus et Mortis ft. Ryan Sporer,” “Seeker of the Void,” “Earthcrusher”) or hack and slash your bones with serrated tremolos (“Razors of Anguish,” “Methmouth PSA”), remember that Bloodcrusher is only trying to help.<a href="https://www.facebook.com/SkaldrOfficial/" rel="nofollow noopener" target="_blank">Skaldr</a> // Saṃsṛ [January 31st, 2025 – <a href="http://www.avantgardemusic.com/" rel="nofollow noopener" target="_blank">Avantgarde Music</a>]Virginia’s black metal upstarts Skaldr don’t do anything new. If you’ve heard any of black metal’s second wave, or even more melodic fare by some of my favorite meloblack bands like <a href="https://www.angrymetalguy.com/oubliette-the-passage-review/" rel="nofollow noopener" target="_blank">Oubliette</a>, <a href="https://www.angrymetalguy.com/stormkeep-tales-of-othertime-review/" rel="nofollow noopener" target="_blank">Stormkeep</a>, and <a href="https://www.angrymetalguy.com/vorga-beyond-the-palest-star-review/" rel="nofollow noopener" target="_blank">Vorga</a>, Skaldr’s material feels like a cozy blanket of fresh snow. Kicking off their second record, Saṃsṛ, in epic fashion, “The Sum of All Loss” evokes a swaying dance that lulls me into its otherwordly arms. As Saṃsṛ progresses through its seven movements, tracks like the gorgeous “Storms Collide” and the lively “The Crossing” strike true every synapse in my brain, flooding my system with a goosebump-inducing fervor quelled solely by the burden of knowing it must end. Indeed, these short 43 minutes leave me ravenous for more, as Skaldr’s lead-focused wiles charm me over and over again without excess repetition of motifs or homogenization of tones and textures (“From Depth to Dark,” “The Cinder, The Flame, The Sun”). Some of its best moments eclipse its weakest, but weak moments are thankfully few and far between. In reality, Skaldr‘s most serious flaw is that they align so closely with their influences, thereby limiting Saṃsṛ‘s potential to stand out. Nonetheless, it represents one of the more engaging and well-realized examples of the style. Hear it!<a href="https://subterraneanlavadragon.bandcamp.com/" rel="nofollow noopener" target="_blank">Subterranean Lava Dragon</a> // The Great Architect [January 23rd, 2025 – Self Release]Formed from members of <a href="https://www.angrymetalguy.com/black-crown-initiate-violent-portraits-of-doomed-escape-review/" rel="nofollow noopener" target="_blank">Black Crown Initiate</a> and Minarchist, Pennsylvania’s Subterranean Lava Dragon take the successful parts of their pedigree’s progressive death metal history and transplant them into epic, fantastical soundscapes on their debut LP The Great Architect. Despite the riff-focused, off-kilter nature of The Great Architect, there lies a mystical, mythical backbone behind everything Subterranean Lava Dragon do (“The Great Architect,” “Bleed the Throne”). Delicate strums of the guitar, multifaceted percussion, and noodly soloing provide a thoughtful thread behind the heaviest crush of prog-death riffs and rabid roars, a combination that favorably recalls Blind the Huntsmen (“The Silent Kin,” “A Dream of Drowning”). In a tight 42 minutes, Subterranean Lava Dragon approaches progressive metal with a beastly heft and a compelling set of teeth—largely driven by the expert swing and swagger of the bass guitar—that differentiates The Great Architect from the greater pool of current prog. Yet, its pursuit of creative song structure, reminiscent of <a href="https://www.angrymetalguy.com/obsidious-iconic-review/" rel="nofollow noopener" target="_blank">Obsidious</a> at times, allows textured gradations and nuanced layers to elevate the final product (“A Question of Eris,” “Ov Ritual Matricide”). It is for these reasons that I heartily recommend The Great Architect to anyone who appreciates smart, but still dangerous and deadly, metal. Thus Spoke’s Likeable Leftovers<a href="https://www.facebook.com/BesnaBand/" rel="nofollow noopener" target="_blank">Besna</a> // Krásno [January 16th, 2025 – Self Release]It was the esteemed Doom et Al who first made me aware of Solvakian post-black group Besna. 2022’s Zverstvá was charming and moving in equal respects, with its folky vibe amplifying the punch of blackened atmosphere and epicness. With Krásno, the group take things in a sharper, more refined, and still more compelling direction, showing real evolution and improvement. The vague leanings towards the electronic play a larger role (“Zmráka sa,” “Hranice”), but songs also make use of snappier, and stronger emotional surges (“Krásno,” “Mesto spí”), the polished production to the atmospherics counterbalanced sleekly by the rough, ardent screams and pleasingly prominent percussion. Krásno literally translates as ‘beautiful,’ and Besna get away with titling their sophomore so bluntly because it is accurate. Melodies are more sweeping and stirring (“Krásno,” “Oceán prachu,” “Meso spí”), and the integration of the harsh amidst the mellow is executed more affectively (“Hranice,” “Bezhviezdna obloha”) than in the band’s previous work. Particularly potent are Krásno’s subtle nods and reprises of harmonic themes spanning the record (“Krásno,” “Oceán prachu,” “Mesto spí”), recurring like waves in an uplifting way that reminds me of <a href="https://www.angrymetalguy.com/deadly-carnage-endless-blue-review/" rel="nofollow noopener" target="_blank">Deadly Carnage</a>‘s Through the Void, Above the Suns. Barely scraping past half an hour, the beautiful Krásno can be experienced repeatedly in short succession; which is the very least this little gem deserves. Tyme’s Ticking Bomb<a href="https://www.instagram.com/traumabond_/" rel="nofollow noopener" target="_blank">Trauma Bond</a> // Summer Ends. Some Are Long Gone [January 12, 2025 – Self-Released]Conceptualized by multi-instrumentalist Tom Mitchell<a href="https://www.angrymetalguy.com/stuck-in-the-filter-january-2025s-angry-misses/#fn-212851-1" rel="nofollow noopener" target="_blank">1</a> and vocalist Eloise Chong-Gargette, London, England’s Trauma Bond plays grindcore with a twist. Formed in 2020 and on the heels of two other EPs—’21’s The Violence of Spring and ’22’s Winter’s Light—January 2025 sees Trauma Bond release its first proper album, Summer Ends. Some Are Long Gone, the third in a seasonally themed quadrilogy. Twisting and reshaping the boundaries of grindcore, not unlike <a href="https://www.angrymetalguy.com/beaten-to-death-sunrise-over-rigor-mortis-review/" rel="nofollow noopener" target="_blank">Beaten to Death</a> or Big Chef, Trauma Bond douses its grind with a gravy boat full of sludge. Past the moodily tribal and convincing intro “Brushed by the Storm” lies fourteen minutes of grindy goodness (“Regards,” “Repulsion”), sludgian skullduggery (“Chewing Fat”), and caustic cantankerousness (“Thumb Skin for Dinner”). You’ll feel violated and breathless even before staring down the barrel of nine-and-a-half minute closer “Dissonance,” a gargantuanly heavy ear-fuck that will liquefy what’s left of the organs inside your worthless skin with its slow, creeping sludgeastation. I was not expecting to hear what Trauma Bond served up, as the minimalist cover art drew me in initially, but I’m digging it muchly. Independently released, Summer Ends. Some Are Long Gone is a hell of an experience and should garner Trauma Bond a label partner. I’ll be hoping for that, continuing to support them, and looking forward to whatever autumn brings. Iceberg’s Bleak Bygones<a href="https://barshasketh.bandcamp.com/" rel="nofollow noopener" target="_blank">Barshasketh</a> // <a href="https://barshasketh.bandcamp.com/album/antinomian-asceticism" rel="nofollow noopener" target="_blank">Antinomian Asceticsm </a>[January 9th, 2025 – W.T.C Productions]My taste for black metal runs a narrow, anti-secondwave path. I want oppressive, nightmarish atmosphere, sure, but I also crave rich, modern production and technically proficient instrumental performances. Blending the fury of early Behemoth, the cinematic scope of Deathspell Omega, and the backbeat-supported drones of Panzerfaust, Barshasketh’s latest fell square in my target area. The pealing bells of “Radiant Aperture” beckoned me into Antinomian Asceticsm’s sacred space, a dark world populated with rippling drum fills, surprisingly melodic guitar work, and a varied vocal attack that consistently keeps things fresh. With the average track length in the 6-minute territory, repeat listens are necessary to reveal layers of rhythm and synth atmosphere that give the album its complexity. A throwaway interlude (“Phaneron Engulf”) and a drop in energy in the second and third tracks stop this from being a TYMHM entry, but anyone with a passing interest in technical black metal with lots of atmosphere should check this out.<a href="https://www.facebook.com/deussabaothband/" rel="nofollow noopener" target="_blank">Deus Sabaoth</a> // <a href="https://deussabaoth.bandcamp.com/album/cycle-of-death" rel="nofollow noopener" target="_blank">Cycle of Death </a>[January 17th, 2025 – Self-Released]Deus Sabaoth have a lot going for them to catch my attention, beyond that absolutely entrancing cover art. Released under the shadow of war, this debut record from the Ukrainian trio bills itself as “Baroque metal,” another tag that piqued my interest. Simply put, Deus Sabaoth play melodic black metal, but there’s a lot more brewing under the surface. I hear the gothic, unsettled storytelling of The Vision Bleak, the drenching laments of Draconian, and the diligent, dynamic riffing of Mistur. The core metal ensemble of guitar, bass and drums is present, but the trio is augmented by a persistent accompaniment of piano and strings. The piano melodies—often doubled on the guitar—are where the baroque influence shines the greatest, echoing the bouncing, repetitive styling of a toccata (“Mercenary Seer,” “Faceless Warrior”). The vocals are something of an acquired taste, mainly due to their too-far-forward mix, but there’s a vitality and drive to this album that keeps me hooked throughout. And while its svelte 7 song runtime feels more like an EP at times, Cycle of Death shows enough promise from the young band that I’ll keep my eyes peeled in the future. GardensTale’s Tab of Acid<a href="https://www.facebook.com/profile.php?id=100088721422001" rel="nofollow noopener" target="_blank">I Don’t Do Drugs, I Am Drugs</a> // <a href="https://idontdodrugsiamdrugs1.bandcamp.com" rel="nofollow noopener" target="_blank">I Don’t Do Drugs, I Am Drugs</a> [January 27th, 2025 – Self-released]When you name yourself after a famous Salvador Dalí quote, you better be prepared to back it up with an appropriate amount of weird shit. Thankfully, I Don’t Do Drugs, I Am Drugs strives to be worthy of the moniker. The band’s self-titled debut is a psychedelic prog-death nightmare of off-kilter riffs, structures that seem built upon dream logic, layers of ethereal synths and bizarre mixtures of vocal styles. The project was founded by Scott Hogg, guitarist for Cyclops Cataract, who is responsible for everything but the vocals. That includes all the songwriting. Hogg throws the listener off with an ever-shifting array of Gojira-esque plodding syncopation and thick, throbbing layers of harmonics that lean discordant without fully shifting into dissonance. But the songs float as easily into other-worldly soundscapes (“The Tree that Died in it’s[sic] Sleep”) or off-putting balladry (“Confierous”). BP of Madder Mortem handles vocals, and he displays an aptitude for the many facets required to buoy the intriguing but unintuitive music, his shouts and screams and cleans and hushes often layered together in strange strata either more or less than human. The combined result resembles a nightmare Devin may have had around 2005 after listening too much Ephel Duath. It’s not yet perfected; the ballad doesn’t quite work, and the compositions are sometimes a bit too dedicated to their lack of handholds. But it’s a hell of a trip, and a very convincing mission statement. A band to keep an eye on! Dear Hollow’s Gunk Behooval <a href="https://www.facebook.com/Bloodbark/" rel="nofollow noopener" target="_blank">Bloodbark</a> // <a href="https://bloodbark.bandcamp.com/album/sacred-sound-of-solitude" rel="nofollow noopener" target="_blank">Sacred Sound of Solitude </a>[January 3rd, 2025 – <a href="https://northern-silence.de/en/" rel="nofollow noopener" target="_blank">Northern Silence Productions</a>]Bloodbark’s debut Bonebranches offered atmospheric black metal a minimalist spin, as cold and relentless as Paysage d’Hiver, as textured as Fen, and as barren as the mountains it depicts, exuding a natural crispness that recalls Falls of Rauros. Seven years later, we are graced with its follow-up, the majestic Sacred Sound of Solitude. Like its predecessor, the classic atmoblack template is cut with post-black to create an immensely rich and dynamic tapestry, lending all the hallmarks of frostbitten blackened sound (shrieks, blastbeats, tremolo) with the depth of a more modern approach. Twinkling leads, frosty synths, and forlorn piano survey the frigid vistas, while the more furious blackened portions scale snowbound peaks, utilized with the utmost restraint and bound by yearning chord progressions (“Glacial Respite,” “Griever’s Domain”). A new element in the act’s sound is clean vocals (“Time is Nothing,” “Augury of Snow”), which lend a far more melancholy vibe alongside trademark shrieking. Bloodbark offers top-tier atmospheric black metal, a reminder of the always-looming winter. <a href="https://www.facebook.com/GreatAmericanGhost" rel="nofollow noopener" target="_blank">Great American Ghost</a> // <a href="https://www.gag-totc.com/" rel="nofollow noopener" target="_blank">Tragedy of the Commons </a>[January 31st, 2025 – <a href="https://sharptonerecords.co/" rel="nofollow noopener" target="_blank">SharpTone Records</a>]Boston’s Great American Ghost used to be extremely one-note, a coattail-rider of the likes of Kublai Khan and Knocked Loose. Deathcore muscles whose veins pulse to the beat of a hardcore heart, you’d be forgiven to see opener “Kerosene” as a sign of stagnation – chunky breakdowns and punk beats, feral barks and callouts, and a hardcore frowny face sported throughout. But Tragedy of the Commons is a far more layered affair, with echoes of metalcore past (“Ghost in Flesh,” “Hymns of Decay”), pronounced and tasteful nu-metal influence a la Deftones (“Genocide,” “Reality/Relapse”), and more variety in their rhythms and tempos, reflecting a Fit for an Autopsy-esque cutthroat intensity and ominous crescendos alongside a more pronounced influence of melody and manic dissonance (“Echoes of War,” “Forsaken”). Is it still meatheaded? Absolutely. Are its more “experimental” pieces in just well-trodden paths of metalcore bands past? Oh definitely. But gracing Great American Ghost a voice beyond the hardcore beatdowns does Tragedy of the Commons good and gives this one-trick pony another trail to wander. Steel Druhm’s Detestible Digestibles<a href="https://www.facebook.com/GutsBandOfficial/" rel="nofollow noopener" target="_blank">Guts</a> // <a href="https://guts3.bandcamp.com/album/nightmare-fuel-2" rel="nofollow noopener" target="_blank">Nightmare Fuel</a> [January 31st, 2025 – Self-Release]Finland’s Guts play a weird “caveman on a Zamboni” variant of groove-heavy death metal that mixes OSDM with sludge and stoner elements for something uniquely sticky and pulversizing. On Nightmare Fuel, the material keeps grinding forward at a universal mid-tempo pace powered by phat, crushing grooves. “571” sounds like a Melvins song turned into a death metal assault, and it shouldn’t work, but it very much does. The blueprint for what Guts do is so basic, but they manage to keep cracking skulls on track after track as you remain locked in place helplessly. Nightmare Fuel is a case study into how less can be MOAR, as Guts staunchly adhere to their uncomplicated approach and make it work so well. Each track introduces a rudimentary riff and beats you savagely with it for 3-4 minutes with little variation. Things reset for the next track, and a new riff comes out to pound you into schnitzel all over again. This is the Guts experience, and you will be utterly mulched by massive prime movers like “Mortar” and “Ravenous Leech,” the latter of which sounds like an old Kyuss song refitted with death vocals and unleashed upon mankind. The relentlessly monochromatic riffs are things of minimalist elegance that you need to experience. Nightmare Fuel is a slow-motion ride straight into a brick wall, so brace for a concrete facial.<a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/antinomian-asceticism/" target="_blank">#AntinomianAsceticism</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/atmospheric-black-metal/" target="_blank">#AtmosphericBlackMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/avantgarde-music/" target="_blank">#AvantgardeMusic</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/barf-bag-records/" 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Adam Kaliszewski 🌱Pierwszy <a href="https://pixel.pol.social/discover/tags/koncert?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#koncert</a> w tym roku, Blush bardzo fajny w dziwniejszych i atonalnych fragmentach (granie moździerzem na gitarze szanuję), w tych bardziej muzycznych trochę zbyt oczywisty, ale ogólnie na plus, będę obserwował. ;) Natomiast nowe oblicze Starej Rzeki przekonuje mnie mniej. Za mało "dziwności", za mało szaleństwa, jest szlachetnie ale ładnie, mamy Steve'a Hacketta w domu. <a href="https://pixel.pol.social/discover/tags/koncert?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#koncert</a> <a href="https://pixel.pol.social/discover/tags/concert?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#concert</a> <a href="https://pixel.pol.social/discover/tags/concertphotography?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#concertphotography</a> <a href="https://pixel.pol.social/discover/tags/ambient?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#ambient</a> <a href="https://pixel.pol.social/discover/tags/noise?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#noise</a> <a href="https://pixel.pol.social/discover/tags/folk?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#folk</a> <a href="https://pixel.pol.social/discover/tags/awangarda?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#awangarda</a> <a href="https://pixel.pol.social/discover/tags/avantgardemusic?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#avantgardemusic</a> <a href="https://pixel.pol.social/discover/tags/avantfolk?src=hash" class="u-url hashtag" rel="nofollow noopener" target="_blank">#avantfolk</a>

Romeo RuchaIctus - Fausto Romitelli | An index of metals (2005)<a href="https://ictusensemble.bandcamp.com/album/fausto-romitelli-an-index-of-metals" rel="nofollow noopener" translate="no" target="_blank">https://ictusensemble.bandcamp.com/album/fausto-romitelli-an-index-of-metals</a><a href="https://mastodon.online/tags/ContemporaryMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ContemporaryMusic</a> <a href="https://mastodon.online/tags/ClassicalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ClassicalMusic</a> <a href="https://mastodon.online/tags/AvantgardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantgardeMusic</a> <a href="https://mastodon.online/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalMusic</a> <a href="https://mastodon.online/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://mastodon.online/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a>

Angry Metal Guy<a href="https://www.angrymetalguy.com/stuck-in-the-filter-june-2024s-angry-misses/" rel="nofollow noopener" target="_blank">Stuck in the Filter: June 2024’s Angry Misses</a>By KenstrosityManaging this Filter is a full-time job. Or it would be if I paid anyone, or got paid myself. I doubt anyone in this godforsaken facility has seen a greenback in the last two decades.<a href="https://www.angrymetalguy.com/stuck-in-the-filter-june-2024s-angry-misses/#fn-201200-1" rel="nofollow noopener" target="_blank">1</a> Nonetheless, I grabbed my clipboard and my flogger and I made my way to the lockers, where my dutiful minions await my first order of each day. It’d been a minute since we cleared out the ducts in the south wing of AMG Headquarters, so that’s where I ushered my team first. The poor souls shivered at the thought of tackling a highly neglected section of the system. But, as always, work needs doing and this is the work.At long last, just when I started considering replacing my whole crew outright and leaving the current one for dead, they returned, battered and winded, but alive. And they brought wares! O blessed day! Without further ado, I bring you our June Filter! Kenstrosity’s Medieval Mutton <a href="https://www.facebook.com/aklashmusic" rel="nofollow noopener" target="_blank">Aklash</a> // Reincarnation [June 20th, 2024 – Self Release]Proving the unlikely flexibility of black metal as a medium, tales of knights, castles, and fantastical clashes of class marries with charred extremity so effortlessly that it comes at no surprise to me how UK Medieval melodic black metal troupe Aklash came to be. Kicking fourth record Reincarnation off with an incredible one-two punch, “Reincarnation” and “Communion with Ghosts,” Aklash’s melodic black metal-meets-<a href="https://www.angrymetalguy.com/vulture-industries-ghosts-from-the-past-review/" rel="nofollow noopener" target="_blank">Vulture Industries</a>-meets-Modest Mouse-meets-<a href="https://www.angrymetalguy.com/aether-realm-tarot-things-you-might-have-missed-2017/" rel="nofollow noopener" target="_blank">Æther Realm</a> concoction charms its way deep into my very being. These songs, burgeoning with lush compositions, incredible guitar work, and multifaceted personalities, evoke imagery of the ancient and the arcane so vividly that it often feels like traveling through time in an alternate universe of magic and mirth. The rabid “Babylon” takes this initial salvo and stabs yet another 1,200cc of pure adrenaline into my veins.<a href="https://www.angrymetalguy.com/stuck-in-the-filter-june-2024s-angry-misses/#fn-201200-2" rel="nofollow noopener" target="_blank">2</a> As my neck swings and spirals with great velocity, giant mugs of mead spontaneously manifest in both fists. What is a sponge to do but imbibe? Against all odds, such infectious energy sustains into the magnificent closer “My Will Made Manifest,” making this record a wall-to-wall festival of sound. If it weren’t for a couple of frilly interludes and the teensiest spot of bloat in a couple of places, I could see Reincarnation growing into a year-end contender. In the end, it might do just that. Thus Spoke’s Forgotten Findings<a href="https://www.facebook.com/profile.php?id=61557511479684" rel="nofollow noopener" target="_blank">Cainites</a> // Revenant [June 21st, 2024 – <a href="https://scarletrecords.com/" rel="nofollow noopener" target="_blank">Scarlet Records</a>]It was once rumored across Eastern Europe that those who rebelled against the Orthodox church were cursed to become vampires after they died. Revenant, however, follows an Orthodox priest, whose induction into the class of bloodthirsty monsters happens irrespective of his religious devotion. Crafting a spooky tale with Scandinavian-inspired melodeath and flourishes of synthy blackened death, Italian duo Cainites strike a little like a less-polished <a href="https://www.angrymetalguy.com/tribulation-down-below-review/" rel="nofollow noopener" target="_blank">Tribulation</a>, but with bags of their personality. These guys know how to write a riff that shivers its way up your spine (“Theotokos,” “God’s Wrath,” “Redemption”) and dance around in your belly (“Darkness Awaits,” “Forgive Our Sins”), and damn, can it be catchy. Using a dueting mixture of growls and moaning cleans, choruses jam their way into your brain and don’t budge (“Vampire God,” “We Lost Our Sanctity”), amplifying the gleefully malicious bounce of the riffs with tongue-in-cheek melodrama. Solos have just enough yearning depth while staying grounded with a gritty tone, and not outstaying their welcome. The album generally treads the line well between camp and serious, discounting, perhaps, the extended spoken-word Bible recitation where God curses Cain (“Cainites”). In all, it’s a very good time and only grew on me the more I listened. One to check out for true fans of melodeath.<a href="https://www.angrymetalguy.com/stuck-in-the-filter-june-2024s-angry-misses/#fn-201200-3" rel="nofollow noopener" target="_blank">3</a><a href="https://www.facebook.com/inheritsthevoid/?ref=page_internal" rel="nofollow noopener" target="_blank">Inherits the Void</a> // Scars of Yesteryears [June 21st, 2024 – <a href="https://avantgardemusic.com/" rel="nofollow noopener" target="_blank">Avantgarde Music</a>]Scars of Yesteryears took me so much by surprise that I had to be informed by another staff member that it even existed. Having reviewed last year’s <a href="https://www.angrymetalguy.com/inherits-the-void-the-impending-fall-of-the-stars-review/" rel="nofollow noopener" target="_blank">The Impending Fall of the Stars</a>, and finding it quite an uplifting piece of melodic black metal, I was keen to see where the project had gone, musically, in the intervening time. The answer is nowhere, but that’s not entirely negative. This is still soaring (“L’effigie Du Déclin”), epic (“Scars of Yesteryear,” “L’eternelle Course Des Astres”), blistering (“Celestial Antler”), and sometimes beautiful (“The Endless Glow of Twilight”) meloblack. With lightning-fast and stormily dynamic riffing and enough of a melodic through-line to keep things going. The highs are not as high as they were on the previous record, the slower moments lacking the atmosphere and grandiosity that former work showed (though coming closest on “L’eternelle…” and “The Endless…”). However, the whole feels more consistent and steady, with the first half whizzing by on the tailwind of “Celestial Antler,” “The Orchard of Grief,” and “Ashes of Grievance”‘s bubbling energy, and the second dipping in intensity only to be saved by the final couple of tracks. Above-average, fiery meloblack, and worth taking for a spin even if it won’t be making any lists. Dear Hollow’s Dumpster Disturbance <a href="https://www.bilmuri.com/" rel="nofollow noopener" target="_blank">Bilmuri</a> // American Motor Sports [June 28th, 2024 – Self Release]Everyone loves easycore.<a href="https://www.angrymetalguy.com/stuck-in-the-filter-june-2024s-angry-misses/#fn-201200-4" rel="nofollow noopener" target="_blank">4</a> In an alternative universe where easycore is a natural progression of pop country rather than pop/punk, it becomes an international treasure and that treasure is American Motor Sports. Of the crabcore alum of Attack Attack!,<a href="https://www.angrymetalguy.com/stuck-in-the-filter-june-2024s-angry-misses/#fn-201200-5" rel="nofollow noopener" target="_blank">5</a> Johnny Franck is least likely to be featured on Octane Radio,<a href="https://www.angrymetalguy.com/stuck-in-the-filter-june-2024s-angry-misses/#fn-201200-6" rel="nofollow noopener" target="_blank">6</a> as the Bilmuri project has been a means for musical exploration since his departure. Offering the most streamlined homage to the three M’s (‘Murica, memes, and the Midwest), get ready to crank your hog to ten songs of heartbreak, beer, and landscaping through arena pop country with needlessly heavy djent guitar riffs – alongside Franck’s signature insanity coursing through all the movements. From the deathcore-meets-honkytonk and sub drops of “Better Hell” and “Spinnin’ You Around,” the blaring and sexy sax solos of “2016 Cavaliers (Ohio),” “Straight Through You,” and “Drunk Enough,” the blazing fiddle of “Talkin’ 2 Ur Ghost,” to the Kevin James breakdown call out of “Emptyhanded,” Bilmuri creates an infectious blend of the safely predictable and the utterly apeshit. It features guest artists from country scenes (Dylan Marlowe, Mitchell Tenpenny) and indie pop spheres (Knox, Arizona) who all add yearning and theatricality to Franck’s already emotive performances. American Motor Sports is twenty-eight minutes of catchy melodies, scathing grooves, and tastefully tragic lyrics with a penchant for memes. We’re all supposed to hate it, but much to my assigned promos’ dismay and Steel Druhm‘s chagrin,<a href="https://www.angrymetalguy.com/stuck-in-the-filter-june-2024s-angry-misses/#fn-201200-7" rel="nofollow noopener" target="_blank">7</a> I haven’t been able to listen to much else. Dolphin Whisperer’s Maritime Musing<a href="https://www.facebook.com/HouleOfficiel/" rel="nofollow noopener" target="_blank">Houle</a> // Ciel Cendre et Misère Noire [June 7th, 2024 – <a href="https://lesacteursdelombre.net/" rel="nofollow noopener" target="_blank">Les Acteurs de l’Ombre Productions</a>]We all know that black metal hits harder when it’s actually something else wrapped in a blackened and shrieking package. France’s Houle offers Ciel Cendre et Misère Noire as a one part <a href="https://www.angrymetalguy.com/yer-metal-is-olde-iron-maiden-iron-maiden/" rel="nofollow noopener" target="_blank">Iron Maiden</a>, one part <a href="https://www.angrymetalguy.com/immortal-war-against-all-review/" rel="nofollow noopener" target="_blank">Immortal</a>, and two parts unstoppable siren screaming as vocalist Adsagsona shreds throat through each of the blazing numbers on this debut (minus the beer-swinging sailor intro). Her ear-stabbing cries tally high, and if it weren’t for her glottal punishments and accompanying guitarists’ breaks into tremolo melodies, tracks “Sur Les Braises de Foyer” and “Sel, Sang et Gerçures” could be instead the backdrops to something of the dark power metal world, replete with Maiden bass gallop and anthemic flair. She has a fine narrative croon too, but it’s her flagrant vocal flayings that sell the extremity of what Houle packs as ballast. With terraced guitar lines and thrashed-out drum breaks (“La Danse du Rocher,” “Mère Nocturne”), Ciel Cendre has the forward energy of battle and doesn’t let go to the very end, joining bands like Aorlhac and Passièsme in the modern melodic black metal field fit for castle raids. But as long-form closer “Née des Embruns” reinforces with calls of the ocean in its open and fade, Houle attacks from the sea. En garde! Mark Z.’s Musings<a href="https://www.facebook.com/200StabWounds/?eid=ARBzEfZwmKJ_MAFrLvTQdr10_TXxRAnHrddQRVrqDHMl8QhP3g6RtNZGqAwezHu04lLHarCWUER0q_m3&fref=tag" rel="nofollow noopener" target="_blank">200 Stab Wounds</a> // Manual Manic Procedures [June 28th, 2024 – <a href="https://www.metalblade.com/us/" rel="nofollow noopener" target="_blank">Metal Blade Records</a>]Following a rapid rise to fame during the first few months of the COVID-19 pandemic, Ohio death metal troupe 200 Stab Wounds thrust their <a href="https://www.angrymetalguy.com/200-stab-wounds-slave-to-the-scalpel-review/" rel="nofollow noopener" target="_blank">Slave to the Scalpel</a> debut onto the masses in 2021. While I was about as mixed on that one as Felagund was, their second album Manual Manic Procedures has proven these wounds cut far deeper than originally thought. The beefy chugs that the band has become known for are still here in full force, but now they’re paired with sharper hooks and a heightened sense of maturity. On Procedures, you’ll hear acoustic plucking, immense Bolt Thrower riffing, grooves that will blow your guts out, and even some melodic death metal influence—and that’s just on the first song. The band also knows when to give you a breather, be it a well-placed atmospheric instrumental (“Led to the Chamber / Liquefied”) or an extended ride on a great groovy riff (“Defiled Gestation”). With a monstrous guitar tone, plenty of killer moments, and a track flow that’s smoother than liquefied human remains, Manual Manic Procedures feels like modern death metal coming into its own.<a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/200-stab-wounds/" target="_blank">#200StabWounds</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/aklash/" target="_blank">#Aklash</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-motor-sports/" target="_blank">#AmericanMotorSports</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" 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Angry Metal Guy<a href="https://www.angrymetalguy.com/sur-austru-datura-strahiarelor-review/" rel="nofollow noopener" target="_blank">Sur Austru – Datura Strǎhiarelor Review</a>By TwelveSur Austru was an exciting find for me back in 2021. Their sophomore full-length <a href="https://www.angrymetalguy.com/sur-austru-obarsie-things-you-might-have-missed-2021/" rel="nofollow noopener" target="_blank">Obârșie</a> is a stunning display of mystical, folky black metal that is as evocative as it is unique. I still return to it often, so I was naturally very excited to learn that the group, originally formed in 2018 following the tragic passing of Gabriel Mafa (Negură Bunget, from where much of the rest of the band hails), is releasing a third full-length called Datura Strǎhiarelor (“The Gift of Scarecrows”), to carry on the unique and bright torch that is Romanian black metal. But Datura Strǎhiarelor is a much different beast from its predecessor—could it be that’s actually a good thing?All of the hallmarks of Sur Austru’s sound are present on Datura Strǎhiarelor—heavy guitars, haunting flutes, and lyrics in Romanian, both sung and growled. The album’s concept, written by Călin Miclauș, focuses on the end of the world as told in Romanian mythology. The language is gorgeous and works well with the music to tell the story, even for an audience that largely, I would imagine, can’t understand the story. Across the album’s longer songs (“Cele Brune,” “Ispravirea”), this sense of storytelling comes alive in the best possible way, and it’s here that Sur Austru is at their most familiar, and their most powerful. Similarly, “Stransura” is classic Sur Austru, with lush drumming, ethereal keys, and an epic, haunting feel that builds throughout the whole before introducing an awesome lead on flutes to close the track. In this way, Datura Strǎhiarelor feels like a natural and powerful successor to Obârșie.What’s different about Datura Strǎhiarelor is its significantly more progressive feel compared to Sur Austru’s contemporaries and previous releases, and that it is only really a black metal album in its dark and atmospheric feel. No one told drummer Beni Ursulescu about that though—throughout, his drumming is lush and complex, breathing liveliness into the record and fighting for that categorization. Aside from this, there’s the occasional tremolo, as on “Farmacarea,” where the guitars and woodblock (Călin Puticiu) work very well together, and of course Tibor Kati’s harsh vocals are strong, but that’s really about it. Instead, flutes and keys from Ionut Cadariu dominate, with heavy support from Ovidiu Corodan’s bass (which sounds amazing, by the way). On “Cele Bune,” every element of Sur Austru’s extensive sound bank works together gorgeously, but with a greater emphasis on feel, story, and melody than riffs, tremolos, or other traditionally black metal elements. The result is a sound that treads a line between progressive, folk, and black metal, with guitars just high enough in the mix to create impact without taking away from everything else going on.As a result, Datura Strǎhiarelor becomes an album that thrives or stalls based on its flow. The performances and songwriting are very strong, but over the course of the fifty-four-minute whole, there are some moments that shine noticeably brighter than others. “Cele Rele,” for example, makes an earnest effort to be a “heavy” song, but doesn’t succeed in creating momentum. It has good moments, especially the flute section towards the end, but isn’t very memorable, even with six minutes of stuff inside it. Further, towards the end of the album, there are a lot of songs that sound like they should be the end of the album—the ambient outros in “Cele Bune” and “Afurisirea,” the epic build that opens “Imparecherea,” and the awesome build that actually does close out the album in “Ispravirea.” This, along with the fact that the album’s two interlude tracks are both passed by track four, creates an illusion that Datura Strǎhiarelo is longer than it actually is.The good news is that the album’s trajectory moves between exceptional and “just” good. Throughout Datura Strǎhiarelor, Sur Austru demonstrate that they are fully attuned with their own sound, and are superb performers and songwriters in a musical style that feels fresh and new (at least outside of their native Romania). Despite some stalling throughout, Datura Strǎhiarelor shows a promising direction for the band; it is a very good example of how to do storytelling in metal, and how to make the listener feel. I can’t wait to see where they go from here. Rating: 3.5/5.0 DR: 9 | Format Reviewed: 320 kb/s mp3 Label: <a href="https://avantgardemusic.com/" rel="nofollow noopener" target="_blank">Avantgarde Music</a> Websites: <a href="http://avantgardemusic.bandcamp.com/album/datura-str-hiarelor" rel="nofollow noopener" target="_blank">avantgardemusic.bandcamp.com/album/datura-str-hiarelor</a> | <a href="http://facebook.com/SurAustruOfficial" rel="nofollow noopener" target="_blank">facebook.com/SurAustruOfficial</a> Releases Worldwide: August 30th, 2024<a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/35/" target="_blank">#35</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/aug24/" target="_blank">#Aug24</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/avantgarde-music/" target="_blank">#AvantgardeMusic</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/black-metal/" target="_blank">#BlackMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/datura-strahiarelor/" target="_blank">#DaturaStrǎhiarelor</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/folk-metal/" target="_blank">#FolkMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/negura-bunget/" target="_blank">#NeguraBunget</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-metal/" target="_blank">#ProgressiveMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/romanian-metal/" target="_blank">#RomanianMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sur-austru/" target="_blank">#SurAustru</a>

Angry Metal Guy<a href="https://www.angrymetalguy.com/defacement-duality-review/" rel="nofollow noopener" target="_blank">Defacement – Duality Review</a>By Dear HollowDefacement has always been an apt but incomplete moniker for the act that professes it – best described by the International act’s<a href="https://www.angrymetalguy.com/defacement-duality-review/#fn-200544-1" rel="nofollow noopener" target="_blank">1</a> <a href="https://f4.bcbits.com/img/a1502519686_10.jpg" rel="nofollow noopener" target="_blank">2021 sophomore self-titled effort’s artwork</a>. While the gore and violence of a face erased is enough for the blasting excess and macabre decadence of death metal, Defacement has always been content to meditate, to stare into the face – or lack thereof – in an undeniably unflinching but unquestionably thoughtful approach. Following two releases of dissonant and blackened death metal, Duality is a capitalization of what makes the act great, if not held back by old habits.Featuring three members of Deathcrush, Defacement’s bread and butter relies on blazing riffs that straddle the line between dissonance and murk, outlined by insane drumming,<a href="https://www.angrymetalguy.com/defacement-duality-review/#fn-200544-2" rel="nofollow noopener" target="_blank">2</a> and monstrous growls, as well as an unexpected love for industrial atmospheres. Duality features four tracks proper, punctuated by interludes, with the act’s most ambitious material yet. Comfortably fitting within the ranks of dissodeath and “esoteric death metal,” Duality offers the best of what you love about Defacement and quite a deal more.Everything serves the riffs and the atmosphere aboard Duality, and both sides of the aptly titled album are showcased. The four main tracks, “Burden,” “Barrier,” “Scabulous,” and “Duality” alll encompass unique attacks of varying capacity, tied together by a tapestry of murk and dissonance. For instance, “Barrier” offers the most aggressive attack in its blazing riffs and war march drumming, while “Burden” showers listeners with a tastefully yearning melody between fluid movements between blackened tremolo and churning riffs. “Scabulous” is a foreshadowing in its more contemplative and arrhythmic lurching motion, preparation for the sixteen-minute closer. “Duality,” true to its name, delves into layers of flaying dissonance, rip-roaring solos, and head-crushing riffs, interspersed with moments of bittersweet melody. Because the album serves to be diverse in its approaches, its impenetrable murky mix courtesy of Gabriele Gramaglia (Cosmic Putrefaction, Vertebra Atlantis) and Simon Da Silva (Aversio Humanitatis) is a wonder to behold, as its esoteric layers create a swamp of sound aptly opaque for this style, but allowing free movement and appropriate shine to all its players.The real downside to Duality is nearly exactly what downed its predecessor: interludes. While Defacement insists on creating a dark and murky environ with its death metal centerpieces, any momentum gained is quickly extinguished by unnecessary two-and-a-half-minute slurps of industrial noise and trip-hop beats. While they largely succeed in capitalizing upon the kind of place that Defacement hopes to evoke, they feel largely unnecessary and borderline derailing. This is why “Duality” is so effective as a closer, as its length provides adequate breadth and organicity for the act to seamlessly move between viciousness tinged with disharmony, slower menace, and climactic yearning melody – without interruptions or interludes. These aside, as competently as Defacement performs Duality, they nevertheless remain in limbo in capturing a unique palette – and instead evoke ghostly meanderings somewhere between Antediluvian, Plasmodium, and Ulcerate.For all my complaints, Defacement nonetheless have created a work admirable for its sheer ambition in effectively sweeping listeners away to a place cold and otherworldly. With just enough melody to balance out the dissonance and murk, enough aggression to soar above pretense, and a stunning balance of the esoteric and punishing to get your head bobbing while admiring the bleakness, Defacement accomplishes what it sets out to do – creating their best offering thus far. However, with jarring industrial/trip-hop interludes killing momentum and a huge question mark regarding the act’s trademark beyond an amalgamation of dissodeath and blackened death’s respective echelons, Duality narrowly misses dealing a stunning blow. However, Defacement invites listeners to behold its gaping maw in blood-soaked reverie, and Duality offers its best incarnation yet. Rating: 3.5/5.0 DR: N/A | Format Reviewed: STREAM Label: <a href="https://avantgardemusic.com/" rel="nofollow noopener" target="_blank">Avantgarde Music</a> Websites: <a href="https://defacementofficial.bandcamp.com/" rel="nofollow noopener" target="_blank">defacementofficial.bandcamp.com</a> | <a href="https://www.facebook.com/officialdefacement/" rel="nofollow noopener" target="_blank">facebook.com/officialdefacement</a> Releases Worldwide: July 26th, 2024<a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/35/" target="_blank">#35</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/anguana/" target="_blank">#Anguana</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/antediluvian/" target="_blank">#Antediluvian</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/avantgarde-music/" target="_blank">#AvantgardeMusic</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/aversio-humanitatis/" target="_blank">#AversioHumanitatis</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/blackened-death-metal/" target="_blank">#BlackenedDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/continuum-of-xul/" target="_blank">#ContinuumOfXul</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/cosmic-putrefaction/" target="_blank">#CosmicPutrefaction</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/death-metal/" target="_blank">#DeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/deathcrush/" target="_blank">#Deathcrush</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/defacement/" target="_blank">#Defacement</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dissonant-death-metal/" target="_blank">#DissonantDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/duality/" target="_blank">#Duality</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dutch-metal/" target="_blank">#DutchMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/earth-and-pillars/" target="_blank">#EarthAndPillars</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/international-metal/" target="_blank">#InternationalMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jul24/" target="_blank">#Jul24</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/plasmodium/" target="_blank">#Plasmodium</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/ulcerate/" target="_blank">#Ulcerate</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/vertebra-atlantis/" target="_blank">#VertebraAtlantis</a>

BiesentalesBiesentales #82: We’re good. Hosted/compiled by @<a class="" href="https://hub.kliklak.net/channel/jrp" rel="nofollow noopener" target="_blank">_jayrope</a> . Please share/boost/repeat. We're good, with this mind-wakening, complex music news from a parallel musical universe, right here in the midth of us. Special thanks to #<a class="" href="https://hub.kliklak.net/search?tag=Fediverse" rel="nofollow noopener" target="_blank">Fediverse</a> musicians @<a href="https://kolektiva.social/@other_ghosts" rel="nofollow noopener" target="_blank">Wilson</a> Wilson Shook, @<a href="https://mastodon.online/@romeorucha" rel="nofollow noopener" target="_blank">Romeo Rucha</a> and @<a href="https://mastodon.online/@keefmarshall" rel="nofollow noopener" target="_blank">keef</a> Key 13, donating some of their outstanding music to this episode. All is overlayed by Bill Viola's "The passing" soundtrack (1991) after 33:46. Sail well, and to new waters. Open.audio - follow for updates <a href="https://open.audio/library/tracks/421961" rel="nofollow noopener" target="_blank">https://open.audio/library/tracks/421961</a> Mixcloud, user tracking applies <a href="https://www.mixcloud.com/CashmereRadio/biesentales-were-good-24072024/" rel="nofollow noopener" target="_blank">https://www.mixcloud.com/CashmereRadio/biesentales-were-good-24072024/</a> See track listings at both links for links to artist sites. @<a href="https://a.gup.pe/u/radicalmusic" rel="nofollow noopener" target="_blank">radicalmusic group</a> @<a href="https://a.gup.pe/u/experimentalmusic" rel="nofollow noopener" target="_blank">ExperimentalMusic group</a> @<a href="https://a.gup.pe/u/jazz" rel="nofollow noopener" target="_blank">Jazz group</a> @<a href="https://a.gup.pe/u/avantgardemusic" rel="nofollow noopener" target="_blank">avantgardemusic group</a> #<a class="" href="https://hub.kliklak.net/search?tag=fediradio" rel="nofollow noopener" target="_blank">fediradio</a> #<a class="" href="https://hub.kliklak.net/search?tag=radio" rel="nofollow noopener" target="_blank">radio</a> #<a class="" href="https://hub.kliklak.net/search?tag=extramusic" rel="nofollow noopener" target="_blank">extramusic</a> #<a class="" href="https://hub.kliklak.net/search?tag=othermusic" rel="nofollow noopener" target="_blank">othermusic</a> #<a class="" href="https://hub.kliklak.net/search?tag=WilsonShook" rel="nofollow noopener" target="_blank">WilsonShook</a> #<a class="" href="https://hub.kliklak.net/search?tag=key13" rel="nofollow noopener" target="_blank">key13</a> #<a class="" href="https://hub.kliklak.net/search?tag=avantgardemusic" rel="nofollow noopener" target="_blank">avantgardemusic</a> #<a class="" href="https://hub.kliklak.net/search?tag=freemusic" rel="nofollow noopener" target="_blank">freemusic</a> <a class="" href="https://hub.kliklak.net/photos/biesentales/image/e6b2a78d-d0e5-4242-a49a-c268c9652069" rel="nofollow noopener" target="_blank"></a>

Bhasa Nova<a href="https://youtu.be/oFV4QCq9SEU?si=9HH8KMOaoo8JC-9M" rel="nofollow noopener" translate="no" target="_blank">https://youtu.be/oFV4QCq9SEU?si=9HH8KMOaoo8JC-9M</a> few things in this world are better than this album. <a href="https://sunny.garden/tags/bjork" class="mention hashtag" rel="nofollow noopener" target="_blank">#bjork</a> <a href="https://sunny.garden/tags/avantgardemusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#avantgardemusic</a>

Romeo RuchaAgnes Pe - The best disco music never ends, highlighting an immersive feeling with the best champion songs (2024)<a href="https://mastodon.social/@agnes_pe" class="u-url mention" rel="nofollow noopener" target="_blank">@agnes_pe</a> <a href="https://agnespe.bandcamp.com/album/the-best-disco-music-never-ends-highlighting-an-immersive-feeling-with-the-best-champion-songs" rel="nofollow noopener" translate="no" target="_blank">https://agnespe.bandcamp.com/album/the-best-disco-music-never-ends-highlighting-an-immersive-feeling-with-the-best-champion-songs</a><a href="https://mastodon.online/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalMusic</a> <a href="https://mastodon.online/tags/ElectronicMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ElectronicMusic</a> <a href="https://mastodon.online/tags/glitch" class="mention hashtag" rel="nofollow noopener" target="_blank">#glitch</a> <a href="https://mastodon.online/tags/AvantgardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantgardeMusic</a> <a href="https://mastodon.online/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://mastodon.online/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a>

Romeo RuchaHave you ever been abducted by aliens?<a href="https://romeorucha.bandcamp.com/track/abducted" rel="nofollow noopener" translate="no" target="_blank">https://romeorucha.bandcamp.com/track/abducted</a><a href="https://mastodon.online/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalMusic</a> <a href="https://mastodon.online/tags/ElectronicMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ElectronicMusic</a> <a href="https://mastodon.online/tags/SoundCollage" class="mention hashtag" rel="nofollow noopener" target="_blank">#SoundCollage</a> <a href="https://mastodon.online/tags/plunderphonics" class="mention hashtag" rel="nofollow noopener" target="_blank">#plunderphonics</a> <a href="https://mastodon.online/tags/SpokenWord" class="mention hashtag" rel="nofollow noopener" target="_blank">#SpokenWord</a> <a href="https://mastodon.online/tags/ambient" class="mention hashtag" rel="nofollow noopener" target="_blank">#ambient</a> <a href="https://mastodon.online/tags/noise" class="mention hashtag" rel="nofollow noopener" target="_blank">#noise</a> <a href="https://mastodon.online/tags/PostIndustrial" class="mention hashtag" rel="nofollow noopener" target="_blank">#PostIndustrial</a> <a href="https://mastodon.online/tags/industrial" class="mention hashtag" rel="nofollow noopener" target="_blank">#industrial</a> <a href="https://mastodon.online/tags/AvantgardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantgardeMusic</a> <a href="https://mastodon.online/tags/WeirdMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#WeirdMusic</a> <a href="https://mastodon.online/tags/IndieMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#IndieMusic</a> <a href="https://mastodon.online/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://mastodon.online/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a> <a href="https://mastodon.online/tags/FediMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#FediMusic</a>

EL ZOMBIE ESPACIAL<a href="https://elzombieespacial.bandcamp.com/album/the-return-of-the-human-shofar-vuvuzela" rel="nofollow noopener" translate="no" target="_blank">https://elzombieespacial.bandcamp.com/album/the-return-of-the-human-shofar-vuvuzela</a><a href="https://mastodon.social/tags/experimentalmusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#experimentalmusic</a> <a href="https://mastodon.social/tags/avantgardemusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#avantgardemusic</a> <a href="https://mastodon.social/tags/Bandcamp" class="mention hashtag" rel="nofollow noopener" target="_blank">#Bandcamp</a> <a href="https://mastodon.social/tags/elzombieespacial" class="mention hashtag" rel="nofollow noopener" target="_blank">#elzombieespacial</a>

Romeo RuchaHave you ever worked in an office?<a href="https://romeorucha.bandcamp.com/track/our-jobs" rel="nofollow noopener" translate="no" target="_blank">https://romeorucha.bandcamp.com/track/our-jobs</a><a href="https://mastodon.online/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalMusic</a> <a href="https://mastodon.online/tags/ElectronicMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ElectronicMusic</a> <a href="https://mastodon.online/tags/SoundCollage" class="mention hashtag" rel="nofollow noopener" target="_blank">#SoundCollage</a> <a href="https://mastodon.online/tags/plunderphonics" class="mention hashtag" rel="nofollow noopener" target="_blank">#plunderphonics</a> <a href="https://mastodon.online/tags/SpokenWord" class="mention hashtag" rel="nofollow noopener" target="_blank">#SpokenWord</a> <a href="https://mastodon.online/tags/SoundArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#SoundArt</a> <a href="https://mastodon.online/tags/AvantgardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantgardeMusic</a> <a href="https://mastodon.online/tags/PostIndustrial" class="mention hashtag" rel="nofollow noopener" target="_blank">#PostIndustrial</a> <a href="https://mastodon.online/tags/industrial" class="mention hashtag" rel="nofollow noopener" target="_blank">#industrial</a> <a href="https://mastodon.online/tags/drone" class="mention hashtag" rel="nofollow noopener" target="_blank">#drone</a> <a href="https://mastodon.online/tags/noise" class="mention hashtag" rel="nofollow noopener" target="_blank">#noise</a> <a href="https://mastodon.online/tags/WeirdMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#WeirdMusic</a> <a href="https://mastodon.online/tags/IndieMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#IndieMusic</a> <a href="https://mastodon.online/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://mastodon.online/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a>

*_jayropeFree music, #<a class="" href="https://hub.kliklak.net/search?tag=BandcampFriday" rel="nofollow noopener" target="_blank">BandcampFriday</a> loading, lift and move:: 1 and Two - <a href="https://dasandereselbst.bandcamp.com/album/1-and-two" rel="nofollow noopener" target="_blank">https://dasandereselbst.bandcamp.com/album/1-and-two</a> loading, lift and move are Michael Thieke on clarinet and Maximilian Glass on electronics. Clarinet and "feedback produced by electronics and resonating objects mutually dissolve while clarifying each other. Both Thieke and Glass manoeuvre a funambulist score, empirical as well as improvised, seeking a symmetry where a dynamic equilibrium leads to a static one." (Free as in: free from conventions) #<a class="" href="https://hub.kliklak.net/search?tag=freemusic" rel="nofollow noopener" target="_blank">freemusic</a> #<a class="" href="https://hub.kliklak.net/search?tag=avantgardemusic" rel="nofollow noopener" target="_blank">avantgardemusic</a> #<a class="" href="https://hub.kliklak.net/search?tag=berlinavantgarde" rel="nofollow noopener" target="_blank">berlinavantgarde</a> @<a href="https://a.gup.pe/u/radicalmusic" rel="nofollow noopener" target="_blank">radicalmusic group</a> @<a href="https://a.gup.pe/u/contemporarymusic" rel="nofollow noopener" target="_blank">contemporaryMusic group</a>

Games for Music wiki / G4M<a href="https://tabletop.vip/tags/GenreOfTheWeek" class="mention hashtag" rel="nofollow noopener" target="_blank">#GenreOfTheWeek</a> is decided!This week will be all about <a href="https://tabletop.vip/tags/experimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#experimentalMusic</a>/ <a href="https://tabletop.vip/tags/avantGardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#avantGardeMusic</a> (is it the same thing? we can discuss that too, but...) The quest ahead of us now is to share our favorite examples of this genre! :)For a starter, Alvin Lucier's classic: I Am Sitting In A Room, which shows how many amazing sounds you can get just from repeated re-recording of the same track: <a href="https://www.youtube.com/watch?v=fAxHlLK3Oyk" rel="nofollow noopener" target="_blank">https://www.youtube.com/watch?v=fAxHlLK3Oyk</a>Share your picks, and please use hashtags! :)<a href="https://a.gup.pe/u/experimentalmusic" class="u-url mention" rel="nofollow noopener" target="_blank">@experimentalmusic</a> <a href="https://musicians.today/@cambraca" class="u-url mention" rel="nofollow noopener" target="_blank">@cambraca</a>

wardMy two favorite genres of music are probably: metal without any rules that doesn't care if anyone likes it.... and fm synth video game music I love this stupid stuff so much... is that a toy xylophone I hear? <a href="https://easymode.im/tags/oldnick" rel="nofollow noopener" target="_blank">#oldnick</a> <a href="https://easymode.im/tags/blackmetal" rel="nofollow noopener" target="_blank">#blackmetal</a> <a href="https://easymode.im/tags/avantgardemusic" rel="nofollow noopener" target="_blank">#avantgardemusic</a> <a href="https://easymode.im/tags/metal" rel="nofollow noopener" target="_blank">#metal</a> <a href="https://grimestone.bandcamp.com/track/blood-blood-blood-blood-blood" rel="nofollow noopener" target="_blank">https://grimestone.bandcamp.com/track/blood-blood-blood-blood-blood</a>

Romeo RuchaHenri Roger - Untranslatable Signs (24/192) (2023)<a href="https://henriroger.bandcamp.com/album/untranslatable-signs-24-192" rel="nofollow noopener" target="_blank">https://henriroger.bandcamp.com/album/untranslatable-signs-24-192</a><a href="https://mastodon.online/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalMusic</a> <a href="https://mastodon.online/tags/ElectronicMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ElectronicMusic</a> <a href="https://mastodon.online/tags/AvantgardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantgardeMusic</a> <a href="https://mastodon.online/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://mastodon.online/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a>

dAVE Inden || attks th drknssI don't normally promote much on Bandcamp Friday, but I'm really proud of this record and want people to hear it. It tells the story of my wife and I's relationship from the beginning up to now.<a href="https://attksthdrknss.bandcamp.com/album/a-morbid-movie-joke" rel="nofollow noopener" target="_blank">https://attksthdrknss.bandcamp.com/album/a-morbid-movie-joke</a><a href="https://sunny.garden/tags/experimentalmusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#experimentalmusic</a> <a href="https://sunny.garden/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a> <a href="https://sunny.garden/tags/bandcamp" class="mention hashtag" rel="nofollow noopener" target="_blank">#bandcamp</a> <a href="https://sunny.garden/tags/BandcampFriday" class="mention hashtag" rel="nofollow noopener" target="_blank">#BandcampFriday</a> <a href="https://sunny.garden/tags/noise" class="mention hashtag" rel="nofollow noopener" target="_blank">#noise</a> <a href="https://sunny.garden/tags/ambient" class="mention hashtag" rel="nofollow noopener" target="_blank">#ambient</a> <a href="https://sunny.garden/tags/ambientmusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ambientmusic</a> <a href="https://sunny.garden/tags/indiemusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#indiemusic</a> <a href="https://sunny.garden/tags/avantgardemusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#avantgardemusic</a> <a href="https://sunny.garden/tags/soundart" class="mention hashtag" rel="nofollow noopener" target="_blank">#soundart</a> <a href="https://sunny.garden/tags/experimental" class="mention hashtag" rel="nofollow noopener" target="_blank">#experimental</a> <a href="https://sunny.garden/tags/noisemusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#noisemusic</a> <a href="https://sunny.garden/tags/seattle" class="mention hashtag" rel="nofollow noopener" target="_blank">#seattle</a> <a href="https://sunny.garden/tags/pnw" class="mention hashtag" rel="nofollow noopener" target="_blank">#pnw</a>

Romeo RuchaA fire-breathing dragon lives in my garage.<a href="https://romeorucha.bandcamp.com/track/wheres-the-dragon" rel="nofollow noopener" target="_blank">https://romeorucha.bandcamp.com/track/wheres-the-dragon</a><a href="https://mastodon.online/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalMusic</a> <a href="https://mastodon.online/tags/ElectronicMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ElectronicMusic</a> <a href="https://mastodon.online/tags/SoundCollage" class="mention hashtag" rel="nofollow noopener" target="_blank">#SoundCollage</a> <a href="https://mastodon.online/tags/plunderphonics" class="mention hashtag" rel="nofollow noopener" target="_blank">#plunderphonics</a> <a href="https://mastodon.online/tags/SpokenWord" class="mention hashtag" rel="nofollow noopener" target="_blank">#SpokenWord</a> <a href="https://mastodon.online/tags/AvantgardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantgardeMusic</a> <a href="https://mastodon.online/tags/SoundArt" class="mention hashtag" rel="nofollow noopener" target="_blank">#SoundArt</a> <a href="https://mastodon.online/tags/WeirdMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#WeirdMusic</a> <a href="https://mastodon.online/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://mastodon.online/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a>

Romeo RuchaNow imagine someone who has never seen a cat.<a href="https://romeorucha.bandcamp.com/track/someone-who-has-never-seen-a-cat" rel="nofollow noopener" target="_blank">https://romeorucha.bandcamp.com/track/someone-who-has-never-seen-a-cat</a><a href="https://mastodon.online/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://mastodon.online/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a> <a href="https://mastodon.online/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalMusic</a> <a href="https://mastodon.online/tags/ElectronicMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ElectronicMusic</a> <a href="https://mastodon.online/tags/SoundCollage" class="mention hashtag" rel="nofollow noopener" target="_blank">#SoundCollage</a> <a href="https://mastodon.online/tags/Plunderphonics" class="mention hashtag" rel="nofollow noopener" target="_blank">#Plunderphonics</a> <a href="https://mastodon.online/tags/techno" class="mention hashtag" rel="nofollow noopener" target="_blank">#techno</a> <a href="https://mastodon.online/tags/idm" class="mention hashtag" rel="nofollow noopener" target="_blank">#idm</a> <a href="https://mastodon.online/tags/GlitchMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#GlitchMusic</a> <a href="https://mastodon.online/tags/SpokenWord" class="mention hashtag" rel="nofollow noopener" target="_blank">#SpokenWord</a> <a href="https://mastodon.online/tags/WeirdMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#WeirdMusic</a> <a href="https://mastodon.online/tags/ExperimentalPop" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalPop</a> <a href="https://mastodon.online/tags/AvantPop" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantPop</a> <a href="https://mastodon.online/tags/PostIndustrial" class="mention hashtag" rel="nofollow noopener" target="_blank">#PostIndustrial</a> <a href="https://mastodon.online/tags/PostInternet" class="mention hashtag" rel="nofollow noopener" target="_blank">#PostInternet</a> <a href="https://mastodon.online/tags/AvantgardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantgardeMusic</a> <a href="https://mastodon.online/tags/cats" class="mention hashtag" rel="nofollow noopener" target="_blank">#cats</a>

Romeo RuchaPa pa pa pam.<a href="https://romeorucha.bandcamp.com/track/papapapam" rel="nofollow noopener" target="_blank">https://romeorucha.bandcamp.com/track/papapapam</a><a href="https://mastodon.online/tags/music" class="mention hashtag" rel="nofollow noopener" target="_blank">#music</a> <a href="https://mastodon.online/tags/musodon" class="mention hashtag" rel="nofollow noopener" target="_blank">#musodon</a> <a href="https://mastodon.online/tags/ExperimentalMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ExperimentalMusic</a> <a href="https://mastodon.online/tags/ElectronicMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#ElectronicMusic</a> <a href="https://mastodon.online/tags/SoundCollage" class="mention hashtag" rel="nofollow noopener" target="_blank">#SoundCollage</a> <a href="https://mastodon.online/tags/plunderphonics" class="mention hashtag" rel="nofollow noopener" target="_blank">#plunderphonics</a> <a href="https://mastodon.online/tags/WeirdMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#WeirdMusic</a> <a href="https://mastodon.online/tags/AvantgardeMusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#AvantgardeMusic</a> <a href="https://mastodon.online/tags/beethoven" class="mention hashtag" rel="nofollow noopener" target="_blank">#beethoven</a>

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