Angry Metal Guy<p><a href="https://www.angrymetalguy.com/vildhjarta-dar-skogen-sjunger-under-evighetens-granar-review/" rel="nofollow noopener" target="_blank">Vildhjarta – Där skogen sjunger under evighetens granar Review</a></p><p><i>By Dear Hollow</i></p><p>You could make the case that <strong>Vildhjarta</strong>’s third full-length is too late to be relevant. There are few that djent as hard as the Swedes, and their own influence exists in pockets of tone-abusing youngsters and diehard veterans who just keep releasing shit: <strong>Tesseract</strong>, <strong>Periphery</strong>, and <strong>Animals As Leaders</strong>, for example. I’ve always thought that <strong>Vildhjarta</strong> is the more curious <strong>Humanity’s Last Breath</strong>, utilizing a similarly crushingly heavy bone-to-dust djent tone, dark atmosphere, and vocal attack,<a href="https://www.angrymetalguy.com/vildhjarta-dar-skogen-sjunger-under-evighetens-granar-review/#fn-217213-1" rel="nofollow noopener" target="_blank">1</a> but with a shimmering ethereality more akin to <strong>Uneven Structure</strong> or older <strong>The Contortionist</strong>, heaven and hell alike. Regardless, you can bet your bottom dollar that <strong>Vildhjarta</strong> djents. Hard.</p><p><strong>Vildhjarta</strong> has a fervent fanbase in spite of having relatively little music to speak of. Having coined the mysterious “thall!” battle cry and influencing a ton of “djentlemen,” <em>Där skogen sjunger under evighetens granar</em> is only their third full-length. The influential concept album <em>Måsstaden</em> was a landmark of djenty deathcore, but was immediately left almost entirely unanswered (apart from the <em>Thousands of Evils</em> EP in 2013) until 2021 with the release of <em>Måsstaden under vatten</em> (“seagull city underwater”). That album rekindled what made the act so formidable to begin with: downtuned choppy djent riffs, reverb-laden leads that sway between dissonant and hyper-melodic, and staccato overlapping rhythms. <em>Där skogen sjunger under evighetens granar</em> is undeniably <strong>Vildhjarta</strong> in this way, although it benefits from its more playful approach, streamlined songwriting, heightened atmosphere, and deepened weight, but it won’t change your mind about <strong>Vildhjarta</strong> in its one-note and overlong glory.</p><p></p><p><strong>Vildhjarta</strong> has always been unique for its ability to take the novelty and highlights of djent and make an experience out of it. <em>Där skogen sjunger under evighetens granar</em> is the most pristine and positive of the band’s discography, reflecting its sanguine title,<a href="https://www.angrymetalguy.com/vildhjarta-dar-skogen-sjunger-under-evighetens-granar-review/#fn-217213-2" rel="nofollow noopener" target="_blank">2</a> compared to the ominous ambiance pervading the dark fairytales of the <em>Måsstaden</em> suite. While its predecessors dove headfirst into the darkness, <em>Där skogen..</em>. seems to embrace a more dreamy attitude reminiscent of post-rock bands like <strong>Sigur Rós</strong> or <strong>Hammock</strong>. Yes, the Swedes have amped the density and weight of their djent, but have also raised its hell-gazing heads to the cosmos. There are certainly moments of ominous dissonance (“Där mossan möter havet”), but most tracks feel downright cheery by comparison. Toss in some well-placed vocals that range from dreamy to powerful (“Sargasso,” “Där mossan möter havet,” “Kristallfågel,” “? regnet, the ?,” “Viktlös & evig”), and stargazing to djent never seemed so apt.</p><p></p><p>That being said, if drop-tuned djenty beatdowns interspersed with reverb-y leads, wild runs, and synth overlays are not your thing, that’s basically what <strong>Vildhjarta</strong> does for fifty-six minutes straight, which is downright brief compared to its predecessor’s eighty-one minutes. One riff to rule them all: variety and differentiation are not names of the game for <strong>Vildhjarta</strong>. Even tempo remains at a comfortable 90 bpm for the majority of the album; sudden blastbeats give the illusion of speed. Vilhelm Bladin’s harsh vocals remain predictable death growls with a climax of a shriek here and there aside from sparse, almost-spoken word (“Hösten som togs ifrån mig,” “Den spanska känslan”), although the cleans have much more range. Guitar work remains entirely predictable, aside from the pairing of melancholy plucking and its punchy polyrhythm call-back (“Viktlös & evig”) or some almost classical noodling (“Den spanska känslan”).</p><p>Yes, <strong>Vildhjarta</strong> is an experience of surreal proportions, particularly compared to the legions of their super-serious genremates. <em>Där skogen sjunger under evighetens granar’s</em> pristine atmosphere stands out among even its own shadowy discography, although it retains all the act’s trademarks. The act works better as a trio, as it forces them to cut the fluff into what works and what doesn’t. That being said, it does not justify why you should spend nearly an hour getting a djent concussion only to gaze up at the stars through newly encephalopathic eyes. Old habits die hard, and while mysterious and enigmatic, the Swedes’ formula is predictable, if not hella fun for the initiated. Ultimately, if you’re a fan, <strong>Vildhjarta</strong> is above-average djent; if you’re not a fan, <strong>Vildhjarta</strong> is average djent.</p> <p><strong>Rating:</strong> 2.5/5.0<br><strong>DR:</strong> 4 | <strong>Format Reviewed:</strong> 320 kb/s mp3<br><strong>Label:</strong> <a href="https://www.centurymedia.com/" rel="nofollow noopener" target="_blank">Century Media Records</a><br><strong>Websites:</strong> <a href="http://vildhjarta.bandcamp.com" rel="nofollow noopener" target="_blank">vildhjarta.bandcamp.com</a> | <a href="http://vildhjartastore.com" rel="nofollow noopener" target="_blank">vildhjartastore.com</a> | <a href="http://facebook.com/vildhjartaofficial" rel="nofollow noopener" target="_blank">facebook.com/vildhjartaofficial</a><br><strong>Releases Worldwide:</strong> May 30th, 2025</p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2-5/" target="_blank">#25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/animals-as-leaders/" target="_blank">#AnimalsAsLeaders</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/atmospheric-metal/" target="_blank">#AtmosphericMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/century-media-records/" target="_blank">#CenturyMediaRecords</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dar-skogen-sjunger-under-evighetens-granar/" target="_blank">#DärSkogenSjungerUnderEvighetensGranar</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/deathcore/" target="_blank">#Deathcore</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/djent/" target="_blank">#Djent</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/hammock/" target="_blank">#Hammock</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/humanitys-last-breath/" target="_blank">#HumanitySLastBreath</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/may25/" target="_blank">#May25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/periphery/" target="_blank">#Periphery</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sigur-ros/" target="_blank">#SigurRÃS</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/swedish-metal/" target="_blank">#SwedishMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/tesseract/" target="_blank">#TesseracT</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-contortionist/" target="_blank">#TheContortionist</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/uneven-structure/" target="_blank">#UnevenStructure</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/vildhjarta/" target="_blank">#Vildhjarta</a></p>
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Angry Metal Guy<p><a href="https://www.angrymetalguy.com/benthos-from-nothing-review/" rel="nofollow noopener" target="_blank">Benthos – From Nothing Review</a></p><p><i>By Dear Hollow</i></p><p>It’s sexy when things you love collide with things you hate. My lust for mathcore is well-established – I go hard for that mind-numbing dyscalculic tinnitus any day – but if you put a slab of prog metal in front of me, I’m gonna go as flaccid as a gummy worm in a hot car faster than you can say “<strong>Wilderun</strong>.” That’s <strong>Benthos</strong>. The Italian collective slides a platter of progressive rock’s lush, ambivalent, and emotive movements alongside mathcore’s jagged edges and feral energy, and you’re guaranteed to find something you’ll love and hate – and get hot and bothered by. It’s core’s sellout and prog’s elitism personified in the dichotomy of the heavenly and hellish – yet in your divinely appointed and coarsely deadly free will, you decide which is which. In the words of the wisest, “yeet and yoink” with this particular <strong>Haken</strong>-themed hatefuck.</p><p><strong>Benthos</strong> has been around since 2018, and gained recognition in their hometown of Milan by opening for <strong>The Contortionist</strong> and appearing in the Dissonance Festival in 2023. <em>From Nothing</em> is their debut full-length, although they released the ironically titled EP/mini-album <em>II</em> in 2021. Settled upon a foundation of lush melodies and evasive chord progressions before exploding into frantic <strong>Dillinger</strong>-inspired rhythm abuse, the act wavers between super serious and frantically silly, soulful cleans colliding haphazardly with demonic shrieks. <em>From Nothing</em> is ambitious in fusing two styles strangely congruous but also not at all, but in the end <strong>Benthos</strong> is exactly split down the middle, its arrhythmic beatdowns stealing the spotlight from masturbatory prog sections, blurring into some ambivalently erotic background.</p><p></p><p>First glances of <strong>Benthos</strong> are synth-heavy progressions and killer vocals. Gabriele Landillo has a formidable set of pipes, their post-hardcore-meets-Chino Moreno vibe lending a creeping sexiness (“Let Me Plunge,” “The Giant Child”) and a desperate belt that adds serious dynamic and show-stealing propensity (“From Nothing,” “Pure”), keeping the more uninteresting passages from descending into drearier monotony. Without careful listening, however, the proggier tracks blur together in a blurry pastel mesh in sprawling layered atmospheric rock tricks – serious synth on guitar action – with interspersed chuggy portions, feeling like a less nuanced songwriting a la (recent) <strong>The Contortionist</strong> or <strong>The Fall of Troy</strong>. Speaking of your favorite dark romance crooner Chino, <em>From Nothing</em> feels quite a bit like <strong>Deftones</strong>’ <em>Gore</em> in its decision to put include metal as a mere monument marker on the jaded journey to the pits of prog – ultimately, a bit of a cockblock. <strong>Benthos</strong> mixing is likewise stellar, Alberto Fiorani’s dummy thicc bass as audible as the cheek-clapping guitars and slamming drums.</p><p>Of its two audio halves, <strong>Benthos</strong>’ more chaotic mathcore attacks offer the best listening experience. After the vastly longwinded four-song introductory blur, the intro to “As a Cordyceps” introduces what makes <em>From Nothing</em> worth a bit more. Practically brimming with energy, the mathcore technicality and hardcore intensity finally kick in. This continues into the easy highlights that dispense the prog fluff into something that feels cutthroat and quirky, wonky leads weaponized with nimble and mind-bending rhythms (“Fossil,” “Athletic Worms,” “Perpetual Drone Monkeys”). These give <strong>Benthos</strong> more breathing room when the proggy sensibilities raise their ill-smelling feet, offering nuance to otherwise unwelcoming rooms. These also incorporate more of these chunkier vibes into more mundane moments, letting the rhythms inject a tasteful – albeit short-lived – dose of intensity (“The Giant Child,” “Pure”).</p><p>The best and worst part about <em>From Nothing</em> is that <strong>Benthos</strong> manages to sound both bored to tears and absolutely apeshit depending on which part you tune into. Its moments of unhinged insanity are too few and far between to warrant consistency or balance… or a solid recommendation. But if you’re like <span><strong>Dolphin Whisperer</strong> </span>and like your music hot and heavy, while disrobing <em>From Nothing</em>’s many sexy layers and textured sprawls, take a cold shower before venturing out to pick up a copy.<a href="https://www.angrymetalguy.com/benthos-from-nothing-review/#fn-215499-1" rel="nofollow noopener" target="_blank">1</a> <strong>Benthos</strong> offers promise with the softness for the foreplay and the vigor for the penetration, but <em>From Nothing</em> has difficulty keeping it up across its forty-five minute runtime with too-long portions of pretty monotony<a href="https://www.angrymetalguy.com/benthos-from-nothing-review/#fn-215499-2" rel="nofollow noopener" target="_blank">2</a> and excessive indulgence,<a href="https://www.angrymetalguy.com/benthos-from-nothing-review/#fn-215499-3" rel="nofollow noopener" target="_blank">3</a> but armed with a vocalist both sexy and devastating and an instrumental presence as bonkers as it is patient… goddammit, I need a cold shower now.<a href="https://www.angrymetalguy.com/benthos-from-nothing-review/#fn-215499-4" rel="nofollow noopener" target="_blank">4</a></p> <p><strong>Rating:</strong> 2.5/5.0<br><strong>DR:</strong> 6 | <strong>Format Reviewed:</strong> 320 kb/s mp3<br><strong>Label:</strong> <a href="https://www.insideoutmusic.com/" rel="nofollow noopener" target="_blank">Inside Out Music</a><br><strong>Websites:</strong> <a href="http://benthosmusic.bandcamp.com" rel="nofollow noopener" target="_blank">benthosmusic.bandcamp.com</a> | <a href="http://benthos-band.com" rel="nofollow noopener" target="_blank">benthos-band.com</a> | <a href="http://facebook.com/benthosbandofficial" rel="nofollow noopener" target="_blank">facebook.com/benthosbandofficial</a><br><strong>Releases Worldwide:</strong> April 11th, 2025</p><p></p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2-5/" target="_blank">#25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2025/" target="_blank">#2025</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/apr25/" target="_blank">#Apr25</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/benthos/" target="_blank">#Benthos</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/deftones/" target="_blank">#Deftones</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/from-nothing/" target="_blank">#FromNothing</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/haken/" target="_blank">#Haken</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/insideout-music/" target="_blank">#InsideOutMusic</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/italian-metal/" target="_blank">#ItalianMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/mathcore/" target="_blank">#Mathcore</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-metal/" target="_blank">#ProgressiveMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-rock/" target="_blank">#ProgressiveRock</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-contortionist/" target="_blank">#TheContortionist</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-dillinger-escape-plan/" target="_blank">#TheDillingerEscapePlan</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-fall-of-troy/" target="_blank">#TheFallOfTroy</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/wilderun/" target="_blank">#Wilderun</a></p>
sariash<p><a href="https://social.tchncs.de/tags/NowPlaying" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>NowPlaying</span></a> Language by The Contortionist 🎶 </p><p>bandcamp link:<br><a href="https://thecontortionistband.bandcamp.com/album/language" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">thecontortionistband.bandcamp.</span><span class="invisible">com/album/language</span></a></p><p><a href="https://social.tchncs.de/tags/Music" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Music</span></a> <a href="https://social.tchncs.de/tags/Metal" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Metal</span></a> <a href="https://social.tchncs.de/tags/ProgressiveMetal" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ProgressiveMetal</span></a> <a href="https://social.tchncs.de/tags/TheContortionist" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TheContortionist</span></a></p>
Angry Metal Guy<p><a href="https://www.angrymetalguy.com/stuck-in-the-filter-august-and-september-2024/" rel="nofollow noopener" target="_blank">Stuck in the Filter: August and September 2024</a></p><p><i>By Kenstrosity</i></p><p></p><p>I am a stubborn bitch. I work my underlings hard, and I won’t let up until they dig up shiny goodies for me to share with the general public. Share might be a generous term. Foist upon is probably more accurate…</p><p>In any case, despite some pretty intense setbacks on my end, I still managed to collect enough material for a two-month spread. HUZZAH! REJOICE! Now get the hell away from me and listen to some of our very cool and good tunes.</p> <p><strong><span>Kenstrosity’s Turgid Truncheons<br></span></strong></p><p><strong><a href="https://www.facebook.com/tenuepunx" rel="nofollow noopener" target="_blank"><strong>Tenue</strong></a><strong> // <em>Arcos, bóvedas, pórticos </em></strong>[August 1st, 2024 – Self-Release]</strong></p><p>Spanish post-black/crust/screamo quartet <strong>Tenue</strong> earned my favor with their debut record, <em>Anábasis</em>, back in 2018. Equal parts vicious, introspective, and strangely uplifting, that record changed what I thought I could expect from anything bearing the screamo tag. By integrating ascendant black metal tremolos within post-punk structures and crusty attitude, <strong>Tenue</strong> established a sound that not only opened horizons for me taste-wise but also brought me a great deal of emotional catharsis on its own merit. Follow-up <em>Arcos, bóvedas, pórticos</em> deepens that relationship. Utilizing a wider atmospheric palette (“Distracción”), a shift towards epic song lengths (“Inquietude, and a greater variety of instrumentation (observe the beautiful horns on long-form opener “Inquietude”), and a bluesier swagger than previous material exhibited (“Letargo”), <strong>Tenue</strong>’s second salvo showcases a musical versatility I wasn’t expecting to complement the bleeding-heart emotional depth I knew would return. This expansion of scale and skillset sets the record apart from almost anything else I’ve heard this year. Even though one or two moments struggle to stick long-term (“Enfoque”), <em>Arcos, bóvedas, pórticos</em> represents an affecting, creative, and ridiculously engaging addition to my listening schedule. And for the low low price of NYP, it ought to be a part of yours as well.</p><p></p><p><strong><a href="https://www.facebook.com/OpenFleshWound" rel="nofollow noopener" target="_blank"><strong>Open Flesh Wound</strong></a><strong> // <em>Vile Putrefaction </em></strong>[August 28th, 2024 – <a href="https://www.facebook.com/tenuepunx" rel="nofollow noopener" target="_blank">Inherited Suffering Records</a>]</strong></p><p>Thicc, muggy slam with a million pick scrapes. Who could ask for anything more? Not I, and so it is with great pleasure that I introduce to my AMG fam Pennsylvania’s very own <strong>Open Flesh Wound</strong> and their debut LP <em>Vile Putrefaction</em>. Essentially the result of <strong>Analepsy</strong>’s and <a href="https://www.angrymetalguy.com/devourment-obscene-majesty-review/" rel="nofollow noopener" target="_blank"><strong>Devourment</strong></a>‘s carnal lovemaking, <em>Vile Putrefaction</em> is a nasty, slammy, brutal expulsion of chunky upchuck. Only those with the most caved-in craniums will appreciate the scraping swamp-ass riffs showcased on such slammers as “Smashed in Liquids” and “Cinder Block to the Forehead,” or the groove-laden thuggery of death-focused tracks like the title track, “Fermented Intestinal Blockage” and “Body Baggie.” <em>Vile Putrefaction</em>’s molasses-like production is an absolute boon to this sound as well, with just enough gloss to provide a deliciously moist texture which imparts an unlikely clarity to especially gruesome details in “Stoma Necrosis” and “Skin Like Jelly.” It’s dumb as hell, and isn’t doing anything new, but is an overdose of good, dirty fun. Simple as.</p><p></p><p><strong><a href="https://www.facebook.com/theflayingmetal" rel="nofollow noopener" target="_blank"><strong>The Flaying</strong></a><strong> // <em>Ni dieu, ni maître </em></strong>[September 5th, 2024 – Self Release]</strong></p><p>I’ve been singing Canadian melodic death metal quartet <strong>The Flaying</strong>’s praises for almost six years now. And still to this day not enough people choose to sing with me. Why? Because they wouldn’t know sickeningly fun death metal if it hacked their faces right off. That’s okay, because <strong>The Flaying</strong> do hack faces right off regardless, and it feels so good to watch the faces of those who don’t heed my call get hacked right off. Third onslaught <em>Ni dieu, ni maître </em>proves that once again, <strong>The Flaying</strong> are an unstoppable force of bass wizardry, riff mastery, and hook-laden songwriting. Opener “Le nécrologiste” perfectly encapsulates <strong>The Flaying</strong>’s particularly addicting brew of <a href="https://www.angrymetalguy.com/cannibal-corpse-chaos-horrific-review/" rel="nofollow noopener" target="_blank"><strong>Cannibal Corpse</strong></a>, <a href="https://www.angrymetalguy.com/the-black-dahlia-murder-servitude-review/" rel="nofollow noopener" target="_blank"><strong>The Black Dahlia Murder</strong></a>, and <a href="https://www.angrymetalguy.com/de-profundis-the-corruption-of-virtue/" rel="nofollow noopener" target="_blank"><strong>De Profundis</strong></a> influences, shaken and stirred until the resulting cocktail blooms with a flavor all its own. Technical and brutally fast, follow-up track “L’enclave” continues the deadly rampage, featuring noodly bass lines guaranteed to elicit stank face in the even most prim and proper elite. A trim twenty nine minutes, spread over ten tightly trained tracks, <em>Ni dieu, ni maître</em> boasts unbeatable replay value. Highlights “Ni dieu, ni maître<em>,”</em> “Les Frondes” “La forge,” and “Noyau sombre” seal the deal by providing sharp hard points and memorable landmarks to which any listener would look forward. Simply put, this record rocks my socks and further proves that I am right about <strong>The Flaying</strong>, and those who ignore my recommendation are wrong.</p><p></p> <p><strong><span>Dolphin Whisperer’s All-Seeing Affirmations</span></strong></p><p><strong><b><a href="https://www.facebook.com/eyeeaterdeath" rel="nofollow noopener" target="_blank">Eye Eater</a> // <a href="https://eyeeater.bandcamp.com/album/alienate" rel="nofollow noopener" target="_blank"><em>Alienate</em></a></b><strong> [August 1st, 2024 – Self Release]</strong></strong></p><p>In a post-<strong>Ulcerate</strong> world, the modern output of atmosphere-minded death metal has grown exponentially. With ringing dissonant chords and slow post-informed builds taking center stage, bands like New Zealand’s unheralded <strong>Eye Eater</strong> borrow plenty from the <em>Destroyers of All</em> sound. However, while many acts would be content to dial in the space or ramp up the dissonance to try and put their own twist on this growing post-death movement, <strong>Eye Eater</strong> looks to the laser-precise melodic tones of progressive, core-borrowing names like <a href="https://www.angrymetalguy.com/fallujah-empyrean-review/" rel="nofollow noopener" target="_blank"><strong>Fallujah</strong></a> and <strong>Vildhjarta</strong> to carve an identity into each of <em>Alienate</em>’s album eight sprawling tracks. Swinging sustained brightness in one hand about the grizzly chug-crush of the other, burly bangers like “Other Planets” and “Failure Artifacts” find churning, djentrified grooves that amplify the swell of the blaring melodies that swirl above the low-end clamor. And though the main refrains of “Alienate” and “Everything You Fear and Hope For” sound like loving odes to their Kiwi Forebears, the growth into sonorous and lush-chorded peaks lands much closer to the attraction of turn of the 10s progressive death/metalcore luminaries <a href="https://www.angrymetalguy.com/the-contortionist-intrinsic-review/" rel="nofollow noopener" target="_blank"><strong>The Contortionist</strong></a> had they stayed closer to their heavy-toned, hefty-voiced roots. As an anonymous act with little social presence, it’s hard to say whether <strong>Eye Eater</strong> has more cooking for the future. With their ears tuned to the recent past for inspiration, it’s easy to see how a band with this kind of melodic immediacy—still wrapped in the weight of a brooding, death metal identity—could easily play for the tops of underground charts. To those who have been following the twists and turns of both underground and accessible over the past decade or so, <strong>Eye Eater</strong> may not sound entirely novel. But <em>Alienate</em>’s familiarity in presence against its quality of execution and fullness of sound makes it easy to ensnare all the same.</p><p></p><p><strong><b><a href="https://www.facebook.com/dissolvebandfr" rel="nofollow noopener" target="_blank">Dissolve</a> // <a href="https://dissolvefr.bandcamp.com/music" rel="nofollow noopener" target="_blank"><em>Polymorphic Ways of Unconsciousness</em></a></b><strong> [September 20th, 2024 – Self Release]</strong></strong></p><p>From the sand-blasted, monochrome human escaping the floor of <em>Polymorphic Ways</em>’ cover to the tags of technical, progressive, death that adorn the Bandcamp tags, it’s easy to put a band like <a href="https://www.youtube.com/@DissolveFr" rel="nofollow noopener" target="_blank"><strong>Dissolve</strong></a> in a box, mentally. But with the first bent guitar run that sets off “Efficiency Defiled” in a run like <a href="https://www.angrymetalguy.com/judas-priest-invincible-shield-review/" rel="nofollow noopener" target="_blank"><strong>Judas Priest</strong></a> more than <strong>Spawn of Possession</strong>, it’s clear that <strong>Dissolve</strong> plays by a different set of rules than your average chug and run tech death band. Yet true to their French nature, the riffs that litter <em>Polymorphic Ways of Unconsciousness</em> possess a tangible groove following the footsteps of lesser-known tricksters <a href="https://www.angrymetalguy.com/trepalium-h-n-p-review/" rel="nofollow noopener" target="_blank"><strong>Trepalium</strong></a> and Olympic titans of metal <a href="https://www.angrymetalguy.com/gojira-fortitude-review/" rel="nofollow noopener" target="_blank"><strong>Gojira</strong></a> (“The Great Pessimistic,”<a href="https://www.angrymetalguy.com/stuck-in-the-filter-august-and-september-2024/#fn-205552-1" rel="nofollow noopener" target="_blank">1</a> “Polymorphic Ways of Unconsciousness,” “Vultures”). And while too <strong>Dissolve</strong> finds a base in the low-end trem assault of <strong>Morbid Angel</strong> (“Ignorance Will Prevail”), there’s a thrash and bark energy at play that nets a rambunctious and experimental sound recalling the warped Hetfield-ian (<a href="https://www.angrymetalguy.com/72-seasons-in-the-amg-rodeo-abyss-taking-the-new-metallica-opus-for-a-ride/" rel="nofollow noopener" target="_blank"><strong>Metallica</strong></a>) scrawl of <em>Destroy Erase Improve </em><a href="https://www.angrymetalguy.com/meshuggah-immutable-review/" rel="nofollow noopener" target="_blank"><strong>Meshuggah</strong></a>, right down to the monstrous bass tone that defines Sonny Bellonie’s (<strong>Sanctuary</strong>, <strong>ODC</strong>) growling, extended range performance. As a trio it’d be easy for guitarist Briac Turquety (<a href="https://smerter.bandcamp.com/album/smerter" rel="nofollow noopener" target="_blank"><strong>Smerter</strong></a>, ex-<a href="https://sideburn.bandcamp.com/album/crows-court" rel="nofollow noopener" target="_blank"><strong>Sideburn</strong></a>) to rely on overdubs for saturation of sound and complexity of layers—and for solo cut-ins he definitely does—but equally as often his choice to let certain chords and notes escape a thrashy muting to ring in distorted harmony against snaking bass lines. And speaking of solos, Turquety’s prowess ranges from bluesy shred (“The Great Pessimistic,” “Ropes of Madness”) to noisy, jazzy explorations (“Polymorphic…,” “Shattered Minds of Evolution”) to Satriani on <strong>Slayer</strong> whammy abuse (“Bonfire of the Vanities”)—a true treat to lovers of tasteful shred. Turquety, Bellonie, and <a href="https://www.youtube.com/@narocoon/videos" rel="nofollow noopener" target="_blank">Quentin Feron</a> (on drums, also of <strong>Smerter</strong>) sound as if they’ve been playing together for much longer than the year that <strong>Dissolve</strong> has existed. With a debut this polished, it’s anyone’s guess as to what kind of monster will emerge from the talent that appears so effortless in assembly.</p><p></p><p><strong><b><a href="https://www.facebook.com/ObsidianMantra" rel="nofollow noopener" target="_blank">Obsidian Mantra</a> // <a href="https://obsidianmantra.bandcamp.com/music" rel="nofollow noopener" target="_blank"><em>As We All Will</em></a></b><strong> [September 27th, 2024 – Self Release]<br></strong></strong></p><p><span>Sometimes, a tangled and foreboding cover sits as the biggest draw amongst a crowd of death metal albums alight with splattered zombie remains, illegible logos, and alarm-colored palettes. And in the case of <strong>Obsidian Mantra</strong>, it doesn’t hurt that lead single “Cult of Depression” possesses a devastating, hypnotic groove that recalls the once captivating technical whiplash of an early <a href="https://www.angrymetalguy.com/decapitated-anticult-review/" rel="nofollow noopener" target="_blank"><strong>Decapitated</strong></a>. However, rather than wrestle with tones that incite a pure and raw violence like that cornerstone act (or similar Poldeath that has followed in its legacy like <a href="https://www.angrymetalguy.com/dormant-ordeal-the-grand-scheme-of-things-review-2/" rel="nofollow noopener" target="_blank"><strong>Dormant Ordeal</strong></a>), <strong>Obsidian Mantra</strong> uses aggressive and bass-loaded rhythmic forms to erupt in spacious and glass-toned guitar chimes to create an engrossing neck-snapping (“Slave Without a Master,” “Condemned to Oppression”). Whether we call these downcast refrains a dissonant melody or slowly resolving phrase, they grow throughout each track in a manner that calls continual reinforcement from a rhythm section that can drop into hammering blasts at a dime and a vocal presence that oscillates between vicious snarl and reverberating howl. In its most accessible numbers (“Chaos Will Consume Us All,” “Weavers of Misery”), <strong>Obsidian Mantra</strong> finds an oppressive warmth that grows to border anthemic, much in the way like beloved blackened/progressive acts like <a href="https://www.angrymetalguy.com/hath-all-that-was-promised-review/" rel="nofollow noopener" target="_blank"><strong>Hath</strong></a> do with their biggest moments. <em>As We All Will</em> still never quite reaches that full mountainous peak, though, opting to pursue the continual call of the groove to keep the listener coming back. Having come a long way from the <strong>Meshuggah</strong>-centered roots where <strong>Obsidian Mantra </strong>first sowed their deathly seeds, <em>As We All Will</em> provides 30 minutes of modern, pulsating, and venomous kick-driven pieces that will flare easy motivation for either a brutalizing pit or a mightily-thrusted iron on leg day.</span></p><p></p> <p><strong><span>Thus Spoke’s Cursed Collection</span></strong></p><p><strong><strong><a href="https://esoctrilihum.bandcamp.com/" rel="nofollow noopener" target="_blank">Esoctrilihum</a> // <em>Döth-Derniàlh </em>[September 20th, 2024 – <a href="https://i-voidhangerrecords.bandcamp.com/merch" rel="nofollow noopener" target="_blank">I, Voidhanger Records</a>]</strong></strong></p><p>We complete another orbit around the Sun, and <strong>Esoctrilihum</strong> completes another album; such are the inalterable laws governing each 365.25 Earth day period in our Solar System. Possessed by some mad, restless spirit, it seems they cannot be stopped. Ever the experimenter, sole member Asthâghul now picks up an acoustic guitar, a nickelharpa, and warms up his throat for more clean vocals to further bizarre-ify his avant-garde black metal. As we travel into the cosmos for <em>Döth-Derniàlh</em>, <strong>Esoctrilihum</strong>isms abound in the see-sawing strings and echoes of chanted singing and throaty snarls. The addition of more acoustic elements does bring some weird delicacy to moments here and there (“Zilthuryth (Void of Zeraphaël),” “Murzaithas (Celestial Voices)”), and it adds layers of beauty in addition to those already harmonious passages. it’s striking how well these new instruments blend with the overall sound: so well, in fact, that it almost feels like <strong>Esoctrilihum</strong> hasn’t evolved at all. This isn’t even a bad thing, because <em>Döth-Derniàlh </em>still feels like an improvement. Past albums have always had at least <em>sections</em> of perfection, where the scattered clouds of self-interfering chaos or repetition blow away and the brilliant light of the moon shines strongly. <em>Döth-Derniàlh </em>has more of these than ever, some extending to whole, 16-minute songs (“Dy’th Eternalhys (The Mortuary Renewal),”).<a href="https://www.angrymetalguy.com/stuck-in-the-filter-august-and-september-2024/#fn-205552-2" rel="nofollow noopener" target="_blank">2</a> If you have it in you to listen to one (more) album over an hour long, and you don’t already know you hate <strong>Esoctrilihum</strong>, sit down with a drink, and maybe a joint, and go where <em>Döth-Derniàlh </em>takes you.</p><p></p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/alienate/" target="_blank">#Alienate</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/arcos-bovedas-porticos/" target="_blank">#ArcosBóvedasPórticos</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/as-we-all-will/" target="_blank">#AsWeAllWill</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/atmospheric-death-metal/" target="_blank">#AtmosphericDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/aug24/" target="_blank">#Aug24</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/avant-garde/" target="_blank">#AvantGarde</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/black-metal/" target="_blank">#BlackMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/brutal-death-metal/" target="_blank">#BrutalDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/canadian-metal/" target="_blank">#CanadianMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/cannibal-corpse/" target="_blank">#CannibalCorpse</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/de-profundis/" target="_blank">#DeProfundis</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/death-metal/" target="_blank">#DeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/decapitated/" target="_blank">#Decapitated</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dissolve/" target="_blank">#Dissolve</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dormant-ordeal/" target="_blank">#DormantOrdeal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/doth-dernialh/" target="_blank">#DöthDerniàlh</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/esoctrilihum/" target="_blank">#Esoctrilihum</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/eye-eater/" target="_blank">#EyeEater</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/fallujah/" target="_blank">#Fallujah</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/french-metal/" target="_blank">#FrenchMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/gojira/" target="_blank">#Gojira</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/grand-magus/" target="_blank">#GrandMagus</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/grendels-syster/" target="_blank">#GrendelSSÿster</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/gygax/" target="_blank">#Gygax</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/harcore-punk/" target="_blank">#HarcorePunk</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/i-voidhanger-records/" target="_blank">#IVoidhangerRecords</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/inherited-suffering-records/" target="_blank">#InheritedSufferingRecords</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jethro-tull/" target="_blank">#JethroTull</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/judas-priest/" target="_blank">#JudasPriest</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/melodic-death-metal/" target="_blank">#MelodicDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/meshuggah/" target="_blank">#Meshuggah</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/metallica/" target="_blank">#Metallica</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/morbid-angel/" target="_blank">#MorbidAngel</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/new-zealand-metal/" target="_blank">#NewZealandMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/ni-dieu-ni-maitre/" target="_blank">#NiDieuNiMaîTre</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/obsidian-mantra/" target="_blank">#ObsidianMantra</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/odc/" target="_blank">#ODC</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/open-flesh-wound/" target="_blank">#OpenFleshWound</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/polish-metal/" target="_blank">#PolishMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/polymorphic-ways-of-unconsciousness/" target="_blank">#PolymorphicWaysOfUnconsciousness</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/post-death-metal/" target="_blank">#PostDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/post-metal/" target="_blank">#PostMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/post-punk/" target="_blank">#postPunk</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-death-metal/" target="_blank">#ProgressiveDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/progressive-metal/" target="_blank">#ProgressiveMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/punk/" target="_blank">#Punk</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sanctuary/" target="_blank">#Sanctuary</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/screamo/" target="_blank">#Screamo</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/self-release/" target="_blank">#SelfRelease</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sep24/" target="_blank">#Sep24</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sideburn/" target="_blank">#Sideburn</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/slam/" target="_blank">#Slam</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/slayer/" target="_blank">#Slayer</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/smerter/" target="_blank">#Smerter</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/spanish-metal/" target="_blank">#SpanishMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/spawn-of-possession/" target="_blank">#SpawnOfPossession</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/stuck-in-the-filter/" target="_blank">#StuckInTheFilter</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/stuck-in-the-filter-2024/" target="_blank">#StuckInTheFilter2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/technical-death-metal/" target="_blank">#TechnicalDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/tenue/" target="_blank">#Tenue</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-black-dahlia-murder/" target="_blank">#TheBlackDahliaMurder</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-contortionist/" target="_blank">#TheContortionist</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/the-flaying/" target="_blank">#TheFlaying</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/thin-lizzy/" target="_blank">#ThinLizzy</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/trepalium/" target="_blank">#Trepalium</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/vildhjarta/" target="_blank">#Vildhjarta</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/vile-putrefaction/" target="_blank">#VilePutrefaction</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/wishbone-ash/" target="_blank">#WishboneAsh</a></p>
Your Future Ex<p>Let's see, what else do we have here for <span class="h-card" translate="no"><a href="https://metalhead.club/@Kitty" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>Kitty</span></a></span>'s <a href="https://metalhead.club/tags/MittwochMetalMix" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MittwochMetalMix</span></a>...ah, this one is excellent:</p><p><a href="https://metalhead.club/tags/Allt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Allt</span></a>: Memory of Light</p><p><a href="https://song.link/zwq2pm4ksq5zx" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="">song.link/zwq2pm4ksq5zx</span><span class="invisible"></span></a></p><p><a href="https://metalhead.club/tags/Djent" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Djent</span></a> <a href="https://metalhead.club/tags/ProgressiveMetalcore" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ProgressiveMetalcore</span></a> <a href="https://metalhead.club/tags/Thall" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Thall</span></a></p><p>FFO <a href="https://metalhead.club/tags/TheContortionist" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>TheContortionist</span></a> <a href="https://metalhead.club/tags/HumanitysLastBreath" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>HumanitysLastBreath</span></a> <a href="https://metalhead.club/tags/Polaris" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Polaris</span></a></p>
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