Thomas Barrio<p>Critique du biopouvoir : dénaturaliser l’État pour penser la domination contemporaine</p><p>La <a href="https://mastodon.social/tags/critique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>critique</span></a> du <a href="https://mastodon.social/tags/biopouvoir" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>biopouvoir</span></a> ne vise pas seulement les <a href="https://mastodon.social/tags/techniques" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>techniques</span></a> de <a href="https://mastodon.social/tags/gestion" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>gestion</span></a> des vies : elle oblige à dénaturaliser l’<a href="https://mastodon.social/tags/%C3%89tat" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>État</span></a> lui-même. <a href="https://mastodon.social/tags/Foucault" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Foucault</span></a>, <a href="https://mastodon.social/tags/Derrida" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Derrida</span></a>, <a href="https://mastodon.social/tags/Agamben" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Agamben</span></a>, <a href="https://mastodon.social/tags/Clastres" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Clastres</span></a> : tous montrent que l’État n’est pas une donnée naturelle, mais une <a href="https://mastodon.social/tags/construction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>construction</span></a> historique, dont la <a href="https://mastodon.social/tags/biopolitique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>biopolitique</span></a> n’est qu’une <a href="https://mastodon.social/tags/%C3%A9volution" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>évolution</span></a> – et non un <a href="https://mastodon.social/tags/progr%C3%A8s" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>progrès</span></a>. <a href="https://mastodon.social/tags/d%C3%A9construction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>déconstruction</span></a> <a href="https://mastodon.social/tags/PhilosophiePolitique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PhilosophiePolitique</span></a>…</p><p><a href="https://homohortus31.wordpress.com/2025/06/17/critique-du-biopouvoir-denaturaliser-letat-pour-penser-la-domination-contemporaine/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">homohortus31.wordpress.com/202</span><span class="invisible">5/06/17/critique-du-biopouvoir-denaturaliser-letat-pour-penser-la-domination-contemporaine/</span></a></p>
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#deconstruction
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Thomas Barrio<p>Jaurès : l’État, la guerre et le monopole de la violence – La militarisation permanente du politique</p><p>Jean <a href="https://mastodon.social/tags/Jaur%C3%A8s" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Jaurès</span></a> a montré comment l’<a href="https://mastodon.social/tags/%C3%89tat" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>État</span></a> moderne justifie sans cesse son <a href="https://mastodon.social/tags/arm%C3%A9e" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>armée</span></a> et son <a href="https://mastodon.social/tags/MonopoleDeLaViolence" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>MonopoleDeLaViolence</span></a> par la menace de la <a href="https://mastodon.social/tags/guerre" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>guerre</span></a>. La préparation militaire s’inscrit ainsi au cœur de la vie <a href="https://mastodon.social/tags/politique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>politique</span></a> et sociale, façonnant durablement l’organisation collective. <a href="https://mastodon.social/tags/violence" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>violence</span></a> <a href="https://mastodon.social/tags/CritiqueSyst%C3%A9mique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CritiqueSystémique</span></a> <a href="https://mastodon.social/tags/militarisme" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>militarisme</span></a> <a href="https://mastodon.social/tags/d%C3%A9construction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>déconstruction</span></a> Jaurès : l’État, la guerre et le monopole de la…</p><p><a href="https://homohortus31.wordpress.com/2025/06/13/jaures-letat-la-guerre-et-le-monopole-de-la-violence-la-militarisation-permanente-du-politique/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">homohortus31.wordpress.com/202</span><span class="invisible">5/06/13/jaures-letat-la-guerre-et-le-monopole-de-la-violence-la-militarisation-permanente-du-politique/</span></a></p>
Thomas Barrio<p>Sortir du sommeil anti-utopique : Déconstruire l’État-nation et réinventer le politique</p><p>⚡ Pour dépasser la <a href="https://mastodon.social/tags/m%C3%A9gamachine" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>mégamachine</span></a> étatique, sortons du sommeil anti-utopique (<a href="https://mastodon.social/tags/Abensour" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Abensour</span></a>) : l’État-nation n’est pas naturel, mais une <a href="https://mastodon.social/tags/construction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>construction</span></a> historique de <a href="https://mastodon.social/tags/domination" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>domination</span></a>. <a href="https://mastodon.social/tags/Alternatives" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Alternatives</span></a> : <a href="https://mastodon.social/tags/communs" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>communs</span></a>, écologie relationnelle, <a href="https://mastodon.social/tags/f%C3%A9d%C3%A9ralisme" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>fédéralisme</span></a> expérimental. Refonder la <a href="https://mastodon.social/tags/politique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>politique</span></a>, c’est oser la <a href="https://mastodon.social/tags/pluralit%C3%A9" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>pluralité</span></a> et l’<a href="https://mastodon.social/tags/autonomie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>autonomie</span></a> collective. <a href="https://mastodon.social/tags/Utopie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Utopie</span></a> <a href="https://mastodon.social/tags/D%C3%A9construction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Déconstruction</span></a> <a href="https://mastodon.social/tags/EtatNation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EtatNation</span></a> <a href="https://mastodon.social/tags/Ecologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Ecologie</span></a> <a href="https://mastodon.social/tags/Clastres" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Clastres</span></a> Il…</p><p><a href="https://homohortus31.wordpress.com/2025/06/09/sortir-du-sommeil-anti-utopique-deconstruire-letat-nation-et-reinventer-le-politique/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">homohortus31.wordpress.com/202</span><span class="invisible">5/06/09/sortir-du-sommeil-anti-utopique-deconstruire-letat-nation-et-reinventer-le-politique/</span></a></p>
Thomas Barrio<p>Beyond the Nation-State: Deconstructing the Megamachine and Reclaiming Collective Futures</p><p>The nation-state is not a natural given: it’s the product of ancient centralizations, rationalized by bureaucracy and perpetuated by the megamachine. Deconstructing this fiction is the first step toward experimenting with new forms of democracy and autonomy, even if the system resists. <a href="https://mastodon.social/tags/Deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Deconstruction</span></a> <a href="https://mastodon.social/tags/NationState" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>NationState</span></a> <a href="https://mastodon.social/tags/Megamachine" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Megamachine</span></a> <a href="https://mastodon.social/tags/DirectDemocracy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DirectDemocracy</span></a> The nation-state is often presented…</p><p><a href="https://homohortus31.wordpress.com/2025/05/24/beyond-the-nation-state-deconstructing-the-megamachine-and-reclaiming-collective-futures/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">homohortus31.wordpress.com/202</span><span class="invisible">5/05/24/beyond-the-nation-state-deconstructing-the-megamachine-and-reclaiming-collective-futures/</span></a></p>
Thomas Barrio<p>État et société : déconstruire les pièges linguistiques pour une démocratie vivante</p><p>⚠️ Confondre « État » et « société » est un piège idéologique. Arendt, Polanyi et Foucault nous rappellent : l’État doit protéger l’espace politique, non l’absorber. Vers un modèle décentralisé, inspiré des Zapatistes et du Rojava. <a href="https://mastodon.social/tags/D%C3%A9mocratie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Démocratie</span></a> <a href="https://mastodon.social/tags/Arendt" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Arendt</span></a> <a href="https://mastodon.social/tags/Polanyi" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Polanyi</span></a> <a href="https://mastodon.social/tags/D%C3%A9construction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Déconstruction</span></a> 1. Déconstruire l’État « naturalisé » La confusion entre « État » et « société » repose sur une illusion : celle…</p><p><a href="https://homohortus31.wordpress.com/2025/05/13/etat-et-societe-deconstruire-les-pieges-linguistiques-pour-une-democratie-vivante/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">homohortus31.wordpress.com/202</span><span class="invisible">5/05/13/etat-et-societe-deconstruire-les-pieges-linguistiques-pour-une-democratie-vivante/</span></a></p>
Thomas Barrio<p><span class="h-card" translate="no"><a href="https://mastodon.online/@sz_duras" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>sz_duras</span></a></span> <span class="h-card" translate="no"><a href="https://mastodon.social/@davevolek" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>davevolek</span></a></span> <span class="h-card" translate="no"><a href="https://mastodon.social/@Tattered" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>Tattered</span></a></span> </p><p>Deconstructing the Naturalization of the State and Domination: Towards a Renewed Political Imagination</p><p>🌱🔎 Rather than seeing the state and oligarchic domination as inevitable, we must deconstruct their “naturalness” to open the way for more democratic and ecological forms of organization. <a href="https://mastodon.social/tags/Deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Deconstruction</span></a> <a href="https://mastodon.social/tags/Megamachine" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Megamachine</span></a> <a href="https://mastodon.social/tags/PoliticalImagination" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PoliticalImagination</span></a> <a href="https://mastodon.social/tags/Ecology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Ecology</span></a> <a href="https://mastodon.social/tags/Democracy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Democracy</span></a> <a href="https://mastodon.social/tags/Oligarchy" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Oligarchy</span></a> <a href="https://mastodon.social/tags/RadicalChange" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>RadicalChange</span></a> The idea that “the state is an inevitable necessity” …</p><p><a href="https://homohortus31.wordpress.com/2025/05/10/deconstructing-the-naturalization-of-the-state-and-domination-towards-a-renewed-political-imagination/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">homohortus31.wordpress.com/202</span><span class="invisible">5/05/10/deconstructing-the-naturalization-of-the-state-and-domination-towards-a-renewed-political-imagination/</span></a></p>
Louisa Amara<p>🎙️ 📊 1 homme hétéro sur 2 est raciste, grossophobe, validiste, pilophobe (poils) <br><a href="https://singlejungle.lepodcast.fr/rediff-1-homme-hetero-sur-2-est-raciste-grossophobe-validiste-pilophobe-poils" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">singlejungle.lepodcast.fr/redi</span><span class="invisible">ff-1-homme-hetero-sur-2-est-raciste-grossophobe-validiste-pilophobe-poils</span></a><br>Rediff de l’ép. 41 Louise Jussian et Chloé Tegny, chargées d’études à l’IFOP. Elles ont travaillé sur la « <a href="https://mastodon.social/tags/d%C3%A9construction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>déconstruction</span></a> » supposée des hommes (particulièrement les hommes cis hétéro) pour une étude pour le site Wyylde <br>Prise de son et montage : Isabelle Field<br>Hébergement <span class="h-card" translate="no"><a href="https://podcastindex.social/@podCloud" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>podCloud</span></a></span></p>
Thomas Barrio<p>Les Institutions Oppressives : Comprendre les Structures de Domination</p><p>🏛️ Nouveau billet : "Les Institutions Oppressives : Structures de Domination" Plongez dans l'analyse des institutions qui perpétuent les oppressions systémiques. Du patriarcat au capitalisme, découvrez comment ces structures façonnent notre société et comment les déconstruire. <a href="https://mastodon.social/tags/Sociologie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Sociologie</span></a> <a href="https://mastodon.social/tags/Oppression" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Oppression</span></a> <a href="https://mastodon.social/tags/JusticeSociale" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>JusticeSociale</span></a> <a href="https://mastodon.social/tags/D%C3%A9construction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Déconstruction</span></a> Dans notre quête d'une société plus juste, il est crucial d'examiner…</p><p><a href="https://homohortus31.wordpress.com/2025/02/18/les-institutions-oppressives-comprendre-les-structures-de-domination/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">homohortus31.wordpress.com/202</span><span class="invisible">5/02/18/les-institutions-oppressives-comprendre-les-structures-de-domination/</span></a></p>
your auntifa liza 🇵🇷 🦛 🦦<p>1. stop parroting the faux intellectualism of fascists. <a href="https://mastodon.social/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> is an antifascist form of academic analysis. what they mean is destruction. </p><p>2. <a href="https://mastodon.social/tags/EpistemicViolence" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EpistemicViolence</span></a> is censorship of all kinds. it’s meant to create a false narrative of agreement.</p><p>3. like “Gulf of America” <a href="https://mastodon.social/tags/EpistemologicalViolence" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>EpistemologicalViolence</span></a> is meant to completely change reality by destroying all social contracts. </p><p>recognize these forms of violence. violence isn’t only by guns. it’s always by ideology first and foremost. / 🧵</p>
your auntifa liza 🇵🇷 🦛 🦦<p>BTW some points about <a href="https://mastodon.social/tags/DOGE" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>DOGE</span></a> and <a href="https://mastodon.social/tags/Project2025" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Project2025</span></a> </p><p>1. do not call it <a href="https://mastodon.social/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> of the federal government. deconstruction is inherently antifascist, as it intends to break apart THRU EPISTEMOLOGICAL ANALYSIS, the lies that sustain hegemonic ―and by default― authoritarian power. </p><p>2. what we are seeing is a build up of a fascist apparatus that the oligarchs can control directly. in other words, they’re cocooning the federal government with technologies for their technocratic dictatorship…</p>
Adam Kaliszewski 🌱<p>Zanim przejdę do tematów większego kalibru, postanowiłem przetestować <span class="h-card" translate="no"><a href="https://musician.social/@mirlo" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>mirlo</span></a></span> na rzeczach "z szuflady" - "Przedwiośnie" to taki mój rozgrzebany projekt, który opieram na samplach z najdawniejszych rejestracji muzyki z ziem polskich (w tym wypadku z 1913), służących jako źródło do granularnej dekonstrukcji, wydłużania, skracania, pitch-shiftingu, delayowania, reverbowania, puszczania do przodu i do tyłu, aż pierwotna muzyka straci swój kontekst, służąc jako materia dla pozaprzestrzennego i pozaczasowego mostu, łączącego głosy sprzed ponad 100 lat z sekwencerem kontrolującym stukanie woskowego wałka w posthumanistycznych pejzażach przyszłości. Na razie zrobiłem dwa utwory, jeden puszczam w eter i pod Wasz osąd. Z biegiem tygodni, miesięcy, (lat?) będę dalej samplował te pranagrania.</p><p><a href="https://mirlo.space/przedwiosnie/release/komora" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">mirlo.space/przedwiosnie/relea</span><span class="invisible">se/komora</span></a> </p><p><a href="https://pol.social/tags/glitch" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>glitch</span></a> <a href="https://pol.social/tags/ambient" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ambient</span></a> <a href="https://pol.social/tags/noise" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>noise</span></a> <a href="https://pol.social/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> <a href="https://pol.social/tags/folkmusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>folkmusic</span></a> <a href="https://pol.social/tags/avantgarde" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>avantgarde</span></a><br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/ambient" class="u-url mention" rel="nofollow noopener" target="_blank">@<span>ambient</span></a></span> </p><p>PS 1 - cały czas jeszcze nie rozumiem, jak Mirlo integruje się z Fediwersum, więc nie daję linku do śledzenia<br>PS 2 - jak Ci się podoba to możesz kupić plik za piątaka ;)</p>
Angry Metal Guy<p><strong><a href="https://www.angrymetalguy.com/stuck-in-the-filter-july-2024s-angry-misses/" rel="nofollow noopener" target="_blank">Stuck in the Filter: July 2024’s Angry Misses</a></strong></p><p><i>By Kenstrosity</i></p><p></p><p>After the tight lineup we cobbled together for June, July provided a similarly lean yield for our team to offer the masses. It appears that my minions responsible for scraping the channels clean have become far too efficient! That said, what we did find might be our most valuable haul yet this year.</p><p>And so, we persist. Always dedicated to bringing you the not-quite-best-but-also-still-good two months ago or so had to offer, we scour for little nuggets worth inspecting. What more could an Angry Metal Fan ask for?</p> <p><strong><span>Kenstrosity’s Cataclysmic Critters<br></span></strong></p><p><strong><a href="https://awakeinprovidence.com/" rel="nofollow noopener" target="_blank"><strong>A Wake in Providence</strong></a><strong> // <em>I Write to You, My Darling Decay </em></strong>[July 26th, 2024 – <a href="https://www.uniqueleader.com/" rel="nofollow noopener" target="_blank">Unique Leader Records</a>]</strong></p><p>Staten Island symphonic deathcore collective <strong>A Wake in Providence </strong>dropped a considerable payload back in 2022 entitled <em>Eternity</em>. Opulent and catastrophically heavy, <em>Eternity</em> bathed me in rich orchestration and legitimate riffs instead of stereotypical breakdowns and unending single-chord chugfests. Needless to say, I was enamored. Follow-up <em>I Write to You, Darling Decay</em> represents a deathcore equivalent to <strong>Fleshgod Apocalypse</strong>’s <a href="https://www.angrymetalguy.com/fleshgod-apocalypse-opera-review/" rel="nofollow noopener" target="_blank"><em>Opera</em></a>, focusing more on lyrical storytelling and implementing vocal diversification as a vehicle for character development. Perhaps not quite as sophisticated— since those meatheaded, muscular chugs of the deathcore world still crop up here and there<em>—I Write to You</em> still offers major hooks and delectable detailing to keep my interest piqued through a full hour of new material (“Mournful Benediction,” “Agonofinis,” title track, “The Unbound,” and “Pareidolia”). Aside from those superficial qualities, <em>I Write to You</em>’s real selling point is album cohesion and overall fit and finish. Like a babbling brook across the smoothest bed of sand and soil, this record flows with a fluidity rarified in the genre (check out the awesome three-song transition between “Agonofris” and “In Whispers”). Combine that with a textured and multifaceted musical progression through a grief-stricken storyline, and you have a winning formula for an engaging record that earns its epic sound.</p><p></p><p><strong><a href="https://cellandvoid.bandcamp.com/" rel="nofollow noopener" target="_blank"><strong>Cell</strong></a><strong> // <em>Shattering the Rapture of the Primordial Abyss </em></strong>[July 12th, 2024 – Self Release]</strong></p><p>I first encountered Canadian black metallers <strong>Cell</strong> on a little Bandcamp stroll years ago, followed shortly by a breezy and brutal beach set just before 2020’s 70,000 Tons of Metal cruise. Nobody I knew had heard of them then, but I knew they had chops. With third album <em>Shattering the Rapture of the Primordial Abyss</em>, they’ve proven me right and then some. Combining icy <strong>Immortal</strong>isms with the chunky buzz of old school death, major bangers “Waking of the Blazing Night,” “The Plight of Council Skaljdrum,” “Drink the Sun,” “Unification of the Last Alliance,” and “Return of Tranquility through the Desolation of Truth” represent the sharpest, hookiest, and heaviest material <strong>Cell</strong>’s put down to date. Fury and fire characterize every riff, lead, and blast on <em>Shattering the Rapture</em>, but it’s the uncanny sense of groove that suddenly springs from <strong>Cell</strong>’s cells that takes this record within a stone’s throw of greatness. Tightening up the overlong fragments that bloat otherwise solid tracks like “Serenity in Darkness… Evermore” and closer “Carnage from the Sky” would go along way to throwing that stone past that threshold. Until then, rest assured that <em>Rapture of the Primordial Abyss</em> is a ripper, worthy of your time and your spine.</p><p></p><p><strong><a href="https://dehumanaut.bandcamp.com/" rel="nofollow noopener" target="_blank"><strong>Dehumanaut</strong></a><strong> // <em>Of Nightmares and Vice </em></strong>[July 17th, 2024 – Self Release]</strong></p><p>Just like <strong>Cell</strong>, <strong>Dehumanaut</strong> entered my rotation thanks to a serendipitous stroll through the Bandcamp ticker. Boasting a unique blend of death metal, thrash, and bluesy bar-crawl hard rock, these Brits offer something novel to the extreme metal catalog. With sophomore effort, <em>Of Nightmares and Vice</em>, <strong>Dehumanaut</strong> double down on the death and blues, evoking <a href="https://www.angrymetalguy.com/yer-metal-olde-entombed-left-hand-path/" rel="nofollow noopener" target="_blank"><strong>Entombed</strong></a>‘s <em>Wolverine Blues</em> in spirit as much as in execution. With swinging tracks like “Shred this Reality,” “A Perilous Path,” “Battle Weary,” “Epiphanies,” and “Black City” deftly stepping between deathly riffs and danceable grooves, thrashier cuts such as “Reject the Knife,” “Nexus of Decline” and “A Truth Most Foul,” and “It Has a Name” feel even speedier and more rabid than usual. Aside from affording <em>Of Nightmares and Vice</em> oodles of dynamics in songwriting, this multifaceted and structured approach to genre-bending showcases <strong>Dehumanaut</strong>’s versatility as musicians. Everything they attempt here feels effortless and reflexive, making every transition between measure and phrase not just purposeful but also buttery-smooth (“Battle Weary”). If it weren’t for a bit of bloat across the board, oddly muffled mixing, and somewhat flat death metal growls, <em>Of Nightmares and Vice</em> would be in play among my top records of July. Even still, it comes close!</p><p></p> <p><strong><span>Saunders’ Salacious Slams</span></strong></p><p><strong><a href="https://www.facebook.com/CephalotripsyOfficial/" rel="nofollow noopener" target="_blank"><strong>Cephalotripsy</strong> </a> // <a href="https://cephalotripsy.bandcamp.com/" rel="nofollow noopener" target="_blank"><em>Epigenetic Neurogenesis</em></a> [July 13th, 2024 – <a href="https://cephalotripsy.bandcamp.com/album/epigenetic-neurogenesis" rel="nofollow noopener" target="_blank">Self-Release</a> ]</strong></p><p>Looking for something so stupidly heavy and obnoxiously brutal that listening could kill brain cells and incite a rampage? California’s underground warriors <strong>Cephalotripsy </strong>have you covered on long-awaited sophomore album, and follow-up to 2007’s cult and apparently well received debut, <em>Uterovaginal Insertion of Extirpated Anomalies. </em>Unfamiliar with their previous output, I stumbled across this latest endeavor through a trusted recommendation, fulfilling my fix for devastatingly brutal slam death. <em>Epigenetic Neurogenesis </em>takes no prisoners and delivers blow after blow of steamrolling, pugnacious brutal death. Brimming with inhuman, sewer dwelling vocal eruptions of Angel Ochoa (<strong>Abominable Putridity),</strong> hammering percussion, and an onslaught of ridiculously thick, heavy riffs, exhibiting the sharp, technical skills of veteran brutal death axe wielder and long-term member Andrés Guzman. The newer members form a pummeling rhythm section driving the guttural swarm. Weighing in at a tight and efficient 32 minutes, the beatdown is relentless, though concise enough to avoid an early burn out. The songwriting doesn’t reinvent the brutal slam death wheel. However, the tight execution, dynamic tempo shifts, and memorable riffcraft elevates the material. Viscous, cranium crushing riffs and utterly devastating slams frequently deployed adds further grunt, immense weight and memorability on a set of killer tunes, including extra chunky gems “Alpha Terrestrial Polymorph,” ” Lo Tech Non Entity,” and “Excision of Self.” Nasty, crushing stuff.</p><p></p> <p><strong><span><strong>Dear Hollow’s Disturbing Dump<br></strong></span></strong></p><p><strong>Silvaplana // <a href="https://silvaplana.bandcamp.com/album/sils-maria" rel="nofollow noopener" target="_blank"><em>Sils Maria </em></a>| <a href="https://silvaplana.bandcamp.com/album/limbs-of-dionysus" rel="nofollow noopener" target="_blank"><em>Limbs of Dionysus</em></a><i> </i>[July 17th, 2024 – Self-Release]</strong></p><p></p><p>Although shrouded in mystery, <strong>Silvaplana </strong>is a solo project of Alex DeMaria of <a href="https://www.angrymetalguy.com/yellow-eyes-rare-field-ceiling-review/" rel="nofollow noopener" target="_blank"><strong>Yellow Eyes</strong></a> and <a href="https://www.angrymetalguy.com/anicon-entropy-mantra-review/" rel="nofollow noopener" target="_blank"><strong>Anicon</strong></a>. Blackened punishment paired with atmosphere have long been the aim, but <strong>Silvaplana</strong>’s duel release finds duality: both take influence from parent releases separately. <em>Sils Maria </em>takes on a hyper-atmospheric, classically influenced, and dark ambient approach across six tracks and forty-one minutes, blackened blastbeats and distant shrieks hidden behind thick swaths of ambiance, organ, and piano, a relatively gentle affair that recalls the wild yet placid sounds of <strong>Yellow Eyes</strong>’ latest. Meanwhile, the two-track and also forty-one minutes of <em>Limbs of Dionysus </em>feeds a ritualistic fire with a scathingly raw black attack, reverb-laden growls, moans, and shrieks colliding with relentless tremolo that continuously scale minor and diminished frostbitten mountaintops with reckless abandon. Both seem entirely disparate in context to one another, but smartly they are held together by the thin thread of melodic motifs. The organ that populates <em>Sils Maria</em>’s tracks “II,” “IV” and “VI” are recalled in the closing remarks of “I” in <em>Limbs of Dionysus</em>; the ominous organ trills of the former’s “III” are warped into a blackened beast in the latter’s “II.” As <em>Limbs of Dionysus </em>concludes, the feedback-laden plucking feeds right into the morphing plucking populating the beginning of <em>Sils Maria</em> – an ouroboros of the blackened arts. <strong>Silvaplana </strong>exists on both self-indulgent and decadent ends of the blackened spectrum with <em>Sils Maria </em>and <em>Limbs of Dionysus</em>, both baffling and tantalizing in their rawness and ambiance, and otherworldly in their collaboration.</p><p></p> <p><strong><span>Dolphin Whisperer’s Inconspicuous Import</span></strong></p><p><strong><b><a href="https://www.facebook.com/p/Quasidiploid-100069571441927/" rel="nofollow noopener" target="_blank">Quasidiploid</a> // <em>Deconstruction</em></b><strong> [July 1st, 2024 – <a href="https://www.amputatedvein.com/shop/cart.cgi?avr01=016044" rel="nofollow noopener" target="_blank">Amputated Vein Records</a>]</strong></strong></p><p>Do you see that cover art? Yes, it’s some sort of countess of the undead summoning the skull-kind with a horn. Would you believe then that one of the features throughout <em>Deconstruction</em> is its inclusion of a female trumpet player to break up the tension of a relentless, brutal technical death metal? Oh yeah, she’s also the vocalist and possesses a vicious guttural bark, shrill and penetrating squeals and hisses (the vocal intro on “Disasters and Infection Routes” is a straight <strong>Dir en grey</strong> moment), and a higher register manic collapse that features at key moments. That’s all to say that the cover lands a bit on the nose, but, in turn, the carnival crazed whiplash of <strong>Quasidiploid</strong> swings between brutal <a href="https://www.angrymetalguy.com/cryptopsy-as-gomorrah-burns-review/" rel="nofollow noopener" target="_blank"><strong>Cryptopsy</strong></a> riff smashing, <strong>Pat Martino</strong> jazz guitar pleasantries, <strong>Necrophagist</strong> sweep punishing, and <strong>Chuck Mangione</strong> brass crooning (“Overture”)—unhinged, unbothered, and anything but accessible. I would call it too unpolished, as <em>Deconstruction</em> strikes with a bit of a demo quality. But sometimes we have to ask ourselves whether what we hear is a questionably processed demo or an intentionally shredded Japanese master? In any case virtuosity reigns as provably human skin slammer Vomiken pushes a bass-loaded kick and a high-crunch kit to abusive and enthralling accelerations only to crash in on the spurt of a forlorn trumpet or flourish of a prancing guitar line (“Brutal Strafing,” “Massacre Fantasy”). Guitar lines weave about traditionally nimble sweeps to tricky meter riff crushes on a dime (“Melodies of Distorted Time and Space,” “Disasters…”). Tonal identities flip between <a href="https://www.angrymetalguy.com/nile-the-underworld-awaits-us-all-review/" rel="nofollow noopener" target="_blank"><strong>Nile</strong></a>-istic, snaking melodies, flippant yet tasteful guitar heroics, and propulsive rhythm blasts whose only break is the close of a song. The definition of something olde, new, borrowed, and blue, <strong>Quasidiploid</strong> has come from far left field to provide a classics-inspired but funky fresh version of an extreme genre that thrives exactly on this kind of weird—a curiosity now, but with all the makings of something truly explosive to come.</p><p></p> <p><strong><span>Mark Z.’s Musings</span></strong></p><p><strong><strong><a href="https://www.facebook.com/200StabWounds/?eid=ARBzEfZwmKJ_MAFrLvTQdr10_TXxRAnHrddQRVrqDHMl8QhP3g6RtNZGqAwezHu04lLHarCWUER0q_m3&fref=tag" rel="nofollow noopener" target="_blank">200 Stab Wounds</a> // <em>Manual Manic Procedures </em></strong>[June 28th, 2024 – <a href="https://www.metalblade.com/us/" rel="nofollow noopener" target="_blank">Metal Blade Records</a>]</strong></p><p>Following a rapid rise to fame during the first few months of the COVID-19 pandemic, Ohio death metal troupe <strong>200 Stab Wounds</strong> thrust their <a href="https://www.angrymetalguy.com/200-stab-wounds-slave-to-the-scalpel-review/" rel="nofollow noopener" target="_blank"><em>Slave to the Scalpel</em></a> debut onto the masses in 2021. While I was about as mixed on that one as <span><strong>Felagund</strong></span> was, their second album <em>Manual Manic Procedures</em> has proven these wounds cut far deeper than originally thought. The massive beefy chugs that the band have become known for are still here in full force, but now they’re paired with sharper hooks and a heightened sense of maturity. On <em>Procedures</em>, you’ll hear acoustic plucking, immense <strong>Bolt Thower</strong> riffing, grooves that will blow your guts out, and even some melodic death metal influence—and that’s just on the first song. The band also know when to give you a breather, be it a well-placed atmospheric instrumental (“Led to the Chamber / Liquefied”) or an extended ride on a great groovy riff (“Defiled Gestation”). With a monstrous guitar tone, plenty of killer moments, and a track flow that’s smoother than liquefied human remains sliding off a kitchen counter, these Cleveland boys have given us a record that truly feels like modern death metal coming into its own.</p><p></p><p><a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/200-stab-wounds/" target="_blank">#200StabWounds</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/2024/" target="_blank">#2024</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/a-wake-in-providence/" target="_blank">#AWakeInProvidence</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/abominable-putridity/" target="_blank">#AbominablePutridity</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/american-metal/" target="_blank">#AmericanMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/amputated-vein-records/" target="_blank">#AmputatedVeinRecords</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/anicon/" target="_blank">#Anicon</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/atmospheric-black-metal/" target="_blank">#AtmosphericBlackMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/black-metal/" target="_blank">#BlackMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/blues-rock/" target="_blank">#BluesRock</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/bolt-thrower/" target="_blank">#BoltThrower</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/brutal-death-metal/" target="_blank">#BrutalDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/canadian-metal/" target="_blank">#CanadianMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/cell/" target="_blank">#Cell</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/cephalotripsy/" target="_blank">#Cephalotripsy</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/chuck-mangione/" target="_blank">#ChuckMangione</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/cryptopsy/" target="_blank">#Cryptopsy</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/death-metal/" target="_blank">#DeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/deathcore/" target="_blank">#Deathcore</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/deconstruction/" target="_blank">#Deconstruction</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dehumanaut/" target="_blank">#Dehumanaut</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/dir-en-grey/" target="_blank">#DirEnGrey</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/entombed/" target="_blank">#Entombed</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/epigenetic-neurogenesis/" target="_blank">#EpigeneticNeurogenesis</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/fleshgod-apocalypse/" target="_blank">#FleshgodApocalypse</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/hard-rock/" target="_blank">#HardRock</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/i-write-to-you-my-darling-decay/" target="_blank">#IWriteToYouMyDarlingDecay</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/immortal/" target="_blank">#Immortal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/japanese-metal/" target="_blank">#JapaneseMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/jul24/" target="_blank">#Jul24</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/limbs-of-dionysus/" target="_blank">#LimbsOfDionysus</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/manual-manic-procedures/" target="_blank">#ManualManicProcedures</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/melodic-death-metal/" target="_blank">#MelodicDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/metal-blade-records/" target="_blank">#MetalBladeRecords</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/necrophagist/" target="_blank">#Necrophagist</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/nile/" target="_blank">#Nile</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/of-nightmares-and-vice/" target="_blank">#OfNightmaresAndVice</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/pat-martino/" target="_blank">#PatMartino</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/quasiploid/" target="_blank">#Quasiploid</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/raw-black-metal/" target="_blank">#RawBlackMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/review/" target="_blank">#Review</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/reviews/" target="_blank">#Reviews</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/self-release/" target="_blank">#SelfRelease</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/shattering-the-rapture-of-the-primordial-abyss/" target="_blank">#ShatteringTheRaptureOfThePrimordialAbyss</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/sils-maria/" target="_blank">#SilsMaria</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/silvaplana/" target="_blank">#Silvaplana</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/slam/" target="_blank">#Slam</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/stuck-in-the-filter/" target="_blank">#StuckInTheFilter</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/symphonic-death-metal/" target="_blank">#SymphonicDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/symphonic-deathcore/" target="_blank">#SymphonicDeathcore</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/symphonic-metal/" target="_blank">#SymphonicMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/technical-death-metal/" target="_blank">#TechnicalDeathMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/thrash-metal/" target="_blank">#ThrashMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/uk-metal/" target="_blank">#UKMetal</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/unique-leader-records/" target="_blank">#UniqueLeaderRecords</a> <a rel="nofollow noopener" class="hashtag u-tag u-category" href="https://www.angrymetalguy.com/tag/yellow-eyes/" target="_blank">#YellowEyes</a></p>
Aaron Lord :csharp:<p>This is a blog post I wrote 14 years ago which I didn't know at the time turned out to be the beginning of my <a href="https://hachyderm.io/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> . I had just discovered that the Bible was literature and God didn't demand for us to not believe in <a href="https://hachyderm.io/tags/evolution" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>evolution</span></a> . It was the pushback from other <a href="https://hachyderm.io/tags/evangelicals" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>evangelicals</span></a> that caused me to "lose my faith", as I couldn't figure out why God would allow so many Christians were simply wrong about so many things. <a href="https://hachyderm.io/tags/exvangelical" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>exvangelical</span></a> <a href="https://www.devlord.io/blog/2010/07/01/natural-revelation-and-the-framework-hypothesis/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">devlord.io/blog/2010/07/01/nat</span><span class="invisible">ural-revelation-and-the-framework-hypothesis/</span></a></p>
Mx. Luna CorbdenMormon underwear
Mx. Luna Corbden<p>It's funny because when I was raised LDS, they'd say, "We're not materialistic and greedy and pompous and power hungry like those wicked evil Catholics and their pope in his big ridiculous expensive hat designed to intimidate!"</p><p>Then they put on the outfit that has represented Earth's most powerful men for the last 100 years.</p><p><a href="https://defcon.social/tags/exmo" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>exmo</span></a> <a href="https://defcon.social/tags/exmormon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>exmormon</span></a> <a href="https://defcon.social/tags/ReligiousTrauma" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ReligiousTrauma</span></a> <a href="https://defcon.social/tags/LDS" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>LDS</span></a> <a href="https://defcon.social/tags/Mormon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Mormon</span></a> <a href="https://defcon.social/tags/AbuseCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AbuseCulture</span></a> <a href="https://defcon.social/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> <a href="https://defcon.social/tags/decolonization" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>decolonization</span></a></p>
Mx. Luna Corbden<p>(I've learned as a writer that metaphors aren't always intentional, and in fact, the less intentional they are, the more profound they can be.)</p><p><a href="https://defcon.social/tags/AbuseCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AbuseCulture</span></a> <a href="https://defcon.social/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> <a href="https://defcon.social/tags/decolonization" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>decolonization</span></a></p>
Mx. Luna Corbden<p>I think it's funny that Clark Kent doffs his business costume to put on the silly red underwear to express his power. There's certainly something psychological to examine there. In a phone booth no less. </p><p>What a metaphor.</p><p><a href="https://defcon.social/tags/AbuseCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AbuseCulture</span></a> <a href="https://defcon.social/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> <a href="https://defcon.social/tags/decolonization" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>decolonization</span></a></p>
Mx. Luna Corbden<p>Perception is power. Humanity knows this in our subconscious. We see it in words like "prestige," which used to mean "trick, illusion, imposture." And in "glamour," which meant "magic, enchantment."</p><p>We teach everyone mathematics, but not the mechanics of power, which are knowable. If everyone understood how power works, it would stop working the way the powerful want it to. Because *they* know how power works.</p><p>To truly democratize society, we have to teach everyone how to consciously wield power to become empowered. Starting with 1+1 – Power is the ability to make decisions for yourself or others. Power is at play anytime two or more beings interact.</p><p>That isn't just about voting. It's everything from how you hold yourself to how you think about certain groups of people to where your money comes from and where it goes. If you're not thinking about it, you're most certainly being controlled by someone.</p><p><a href="https://defcon.social/tags/AbuseCulture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AbuseCulture</span></a> <a href="https://defcon.social/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> <a href="https://defcon.social/tags/decolonization" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>decolonization</span></a></p>
Mx. Luna Corbden<p>I like to think of rephrasings of culturally-accepted norms to jog people out of how we normally think of things.</p><p>I really like inserting the word "authorized" or "unauthorized" where it doesn't belong, like "unauthorized gender presentation" or "authorized sexual relations."</p><p>That's not a power tie. It's a costume. When you put it on, you have power. But it's not the man who has the power, it's just his costume. Put him ragged camo and he's a different person.</p><p><a href="https://defcon.social/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a></p>
IT News<p>A Look Inside a DIY Rocket Motor - [Joe Barnard] made a solid propellant rocket motor, and as one does in such situat... - <a href="https://hackaday.com/2024/09/11/a-look-inside-a-diy-rocket-motor/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">hackaday.com/2024/09/11/a-look</span><span class="invisible">-inside-a-diy-rocket-motor/</span></a> <a href="https://schleuss.online/tags/solidrocketmotor" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>solidrocketmotor</span></a> <a href="https://schleuss.online/tags/deconstruction" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>deconstruction</span></a> <a href="https://schleuss.online/tags/post" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>post</span></a>-mortem <a href="https://schleuss.online/tags/graphite" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>graphite</span></a> <a href="https://schleuss.online/tags/phenolic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>phenolic</span></a> <a href="https://schleuss.online/tags/rocketry" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>rocketry</span></a> <a href="https://schleuss.online/tags/nozzle" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nozzle</span></a> <a href="https://schleuss.online/tags/space" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>space</span></a> <a href="https://schleuss.online/tags/test" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>test</span></a></p>
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